Continuing to cover the range of cities with active projects and people investigating hidden hydrology, I return to Indianapolis, which i covered a bit in my early post on Ben H. Winter’s novel Underground Airlines. The subject of the novel and post focused on Pogue’s Run, a buried creek that served as the locus for a pivotal scene in the novel. The specifics can also be gleaned from the Atlas Obscura post “You Can Follow a Hidden Stream Beneath Indianapolis—If You Know Where to Look” here for more context on this, which originally was the tip off on this great story. And definitely, beyond the hidden hydrology reference, the novel was one of the best I read last year.
As with most cities, one river or creek seems to dominate the imagination, and Pogue’s Run is that for Indianapolis, with a number of historical ruminations, such as Historic Indianapolis, which showed a etching by Thomas B. Glessing of “Surveyors mapping the new capital in 1820”, and noting that the stream was probably Pogue’s Run.
In the course of finding out about Pogue’s Run, a number of other interesting people and projects emerged from Indianapolis. Below are some summaries
A main feature of the original article, beyond Winters’ book, is the photography and music of Stuart Hyatt, who has documented the underground stream in depth. A few of his photographs from the previous post, along with links to the video of his band Field Works, whose album is aptly titled ‘Pogue’s Run’.
A video connects the music to place, which “follows a humble waterway through urban neighborhoods in Indianapolis. From its source, through the city, into a mysterious three-mile underground tunnel, and finally to the White River, Pogue’s Run represents the ongoing tension between nature and civilization.”
Charting Pogue’s Run
Artist Sean Derry’s work “Charting Pogue’s Run” investigated the creek via an 1831 map, with a thin line of blue paint and cast iron marks woven through.
A bit of description (longer version on his site):
“Charting Pogue’s Run investigates the past and present characteristics of Pogue’s Run as it flows from the Neareastside neighborhood to its confluence with the White River south of downtown. Beginning on E. New York St., along the boundary of the Cottage Home neighborhood, a blue line and small iron markers map the stream’s 1831 path through the city. This addition to the city-scape traces the streams meandering path across 4.5 miles of Indianapolis.
The work, along with Hyatt’s, was covered as part of the free workshops, “Rethink, Reconnect, Reclaim”, which “explores creative approaches for improving Indianapolis”. See a video of the project here:
A surprise was finding the comprehensive Streamlines project, led by environmental artist Mary Miss, a continuation of her legacy of environmental art, in this case “StreamLines is situated on five sites, in diverse communities along tributaries of the White River. Miss’ sculptural elements reveal the natural systems and infrastructure that impact the Indianapolis waterways and encourage exploration of the area.”
Apart from site specific art: “StreamLines is an interactive, place-based project that merges the sciences and the arts to advance the community’s understanding and appreciation of Indianapolis’ waterways. This work is made possible by a grant from the National Science Foundation and is modeled on the City as Living Laboratory/FRAMEWORK. StreamLines features art created for specific sites along six Indianapolis waterways of focus to Reconnecting to Our Waterways (ROW): Five environmental installations by Mary Miss/City as Living Laboratory® (MM/CaLL); A series of dance performances by Butler University Department of Dance; Six musical compositions curated by Michael Kaufmann/The Kinetic Project; A collection of poems penned by Indiana poets selected by Poets House”.
A diagram of the concept of her site specific installations, which include similar themes, as noted, around the concept that ‘Rivers are the Lifelines of our Cities.”
Along with some of the installations themselves, which are place based but tied together thematically. An excerpt from her site: “At each site, the three states of water – ICE, VAPOR, WATER are written on the surface of the mirrors. Words on the ground express the themes of each different location. They are formed of reverse letters, which are legible in the reflection in the mirror above. Site themes address water and its many states in the environment, the importance of water to Indianapolis’ development and history, water infrastructure and the connection to the watershed. At the outer edges of the installations, smaller mirrors (18” in diameter) and small pedestals in groups of two or three present texts, much of it legible only in reflection, such as poetry, scientific and historical facts, riddles, jokes, prompts, and questions. These texts also direct visitors to the app and website for additional information.”
The markers and poetry are located in and around installations, circling back to the formative river, the poem “Pogue’s Lost Horse” by Catherine Bowman connect to the place in other ways, through words, visions, and rhythm.
The dance and musical numbers are available on the site and best captured in video, as well as the Streamlines Vimeo page, which also has interviews and other info. One of my favorite is the ‘Choreographing the Movement of the Waterways’, described here: “This video explores the story behind the dance component of StreamLines. On September 24, 2015, more than 100 members of the Butler Ballet performed Riverrun, a site-specific dance choreographed by Butler University Dance Professor Cynthia Pratt for the StreamLines project. This dance was part of the programming for the project’s launch and performed in Holcomb Gardens on the campus of Butler University. The site-specific art invites the community to learn, explore and experience the science of Indianapolis’ water systems”
There’s also a video delving into the work on the musical composition and soundscape, and “explores the story behind the six musical compositions of StreamLines. Curator Michael Kaufmann worked with six musical artists – Olga Bell, Hanna Benn, Stuart Hyatt, Roberto Lange, Matthew Skjonsberg and Moses Sumney – to create the sound art for StreamLines. The site-specific art invites the community to learn, explore and experience the science of Indianapolis’ water systems”
Beyond Pogue’s Run, the work draws from a variety of local waterways, as mentioned in this post from Next City: “The White River flows through downtown, joined by Fall Creek, Pogue’s Run, Central Canal, Pleasant Run and Eagle Creek, many of which also flow through Indy’s most underserved neighborhoods.” Part static placemaking and part events, there is a simple google map to locate the places included.
It’s really interesting to see how Indianapolis expresses the connection to lost waterways and hidden hydrology primarily through art, spanning literature, dance, poetry, music, and environmental installations. It showcases the diversity of means to tell these water stories – technical, mapping, ecological, historical, artistic, designer, and provides a unique snapshot of a community, it’s rivers, and how each are shaped, and shape one another.
- Note: Header image of Pogue’s Run – via Wikipedia, credit: By National Weather Service Advanced Hydrologic Prediction Service