The ability to reveal the hidden layers of hydrology can take many forms. Public art is a great mechanism for telling stories in ways that engage and reveal that which is often missing from our day to day experiences. These artworks also highlight key contributions of communities that are often marginalized in the official histories we are taught. Artists Shu-Ju Wang and Lynn Yarne developed a vibrant example of this at the new Lincoln High School in Portland with a large exterior mural called Restoration Roadmaps which locates the hidden hydrology story within the context of the urban high school. The summary of the project, from the artistโ€™s website for Restoration Roadmaps provides some of processes and the outcomes:

โ€œThe process enabled us to come to a final design that is a combination of several forms of maps to describe the neighborhoodโ€“from historical to a hoped for future, from topographical to ecological, from google map to the old fashioned foldout map. Student and community responses are recorded as part of the topographical contours and inset panels.โ€

The images are rich with detail, focusing on the high school site and the contemporary grid, juxtaposed with the Tanner Creek historical route with other water bodies that have been erased. The creek gulches were the locations of highly productive garden areas farmed by Chinese immigrants and also provided historical areas of Native American occupation. The mural includes smaller square panels with community work done by other artists and students, and the perimeter of the mural provides detailed assemblages of 40 species of flora and fauna Indigenous to the area.

Mural Image (via Shu-Ju Wang)

It was fun to see the process evolve and the final product โ€˜in the wildโ€™ below. Let me know if youโ€™re local and have seen the mural, or if there are other murals in your community celebrating hidden hydrology. Would love to hear from you.

Final Mural (via Shu Ju Wang)

HISTORICAL BACKGROUND

The lead-up to the public process included some great information compiled by a series of experts on the history, ecology, and culture around the Tanner Creek area and the Chinatown farmers. These included lectures by Dr. Tracy Prince on Native American Traders and Chinese Vegetable Gardens in the Hollows of Old Portland, and Native Americans of Old Portland, and a co-presentation Notable Women of Portland, by Prince and her daughter Zadie Schaffer, who is also a Lincoln alum. Dr. Marie Rose Wong, author of Sweet Cakes, Long Journey: The Chinatowns of Portland Oregon gave a talk on Tanner Creek and Portlandโ€™s Chinatown. Eric Butler, a restoration expert, included information on the Ecological History of Tanner Creek.

Beyond helping with some mapping for the mural, my other contribution was this short video, Tanner Creek Hidden Hydrology, walking through the history of the area in the context of the historical water. Iโ€™ve included the video below:

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Note: This post was originally posted on Substack on 02/28/25 and added to the Hidden Hydrology website on 04/20/25.

There are a number of stories that occasionally receive comments and inquiries on posts from back in the day. This past few weeks, readers reached out related to the 2017 post โ€œSan Franciscoโ€™s Hidden Water Tanksโ€ (Hidden Hydrology, 12.15.17), inquiring about a really cool hidden feature of the urban realm.

The post drew on a great article published at the time by CityLab/Bloomberg, โ€œThe Sublime Cisterns of San Francisco” (05.01.17), which explains the presence of brick circles located at numerous intersections around the downtown core of the city, such as the image below.

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Brick circles denote the location of old cisterns (via Bloomberg)

These reference the locations of underground cisterns, dating back to the 1850s, which were state-of-the-art in fire protection in the 19th and early 20th centuries. These cisterns were distributed around the downtown area and filled with water, which supplemented fire brigades and enabled them to pump water for fire-fighting prior to implementing pressurized water systems and fire hydrants. As noted in the Bloomberg article related to the need for new modern fire protection in cities:

โ€œOne of the ways officials responded to these blazes was to build cisterns. These subterranean vitrines were designed as a last-resort source of agua for firefighting. San Franciscoโ€™s 19th-century cistern system was reinforced with more, larger cisterns after the Earthquake of 1906, whose subsequent firestorm killed roughly 3,000 and left much of the cityโ€™s land looking like a blasted moon. To date there are 170 to 200 of the tanks stashed around town.โ€

Many of the remaining cisterns are intact below ground, revealing subterranean spaces unknown to those walking and driving above. Many are empty, but some are still used as emergency water sources today.

Interior of cistern (via Bloomberg)

John Oram, aka the prolific Bay Area blogger Burrito Justice, dug deep into the cisterns as far back as 2011. Around 2016, when the original Bloomberg article was published, he created an interactive map (unfortunately no longer available) of their subterranean locations. The map represented the intersections where the cisterns were located, scaled by the capacity of the cistern below.

Map of cisterns by John Oram (via Bloomberg)

Another resource for these cisterns, which Oram used in his mapping project, was a 2014 project by Scott Kildall. As part of an art project called โ€œWater Works,โ€ Kildall focused on โ€œโ€ฆa 3D data visualization and mapping of the water infrastructure of San Francisco.โ€ He also created an interactive map (now also unavailable) of the cisterns, and the project generated some interesting maps and art around the locations of key infrastructure, including cisterns, as seen below.

San Francisco Cisterns by Scott Kildall (via Scott Kildall)

For those interested in a deeper dive from these past sources, I recommend โ€œWhatโ€™s Underneath Those Brick Circles?โ€ (Burrito Justice, 03.08.13), and โ€œCistern Mapping Project Reportback.โ€ (Scott Kildall, 01.07.16). Although a seemingly hot topic in the mid-2010s, I only found a few scant more recent references to these cisterns. A good one worth listening to is part of a self-guided tour of these cisterns as part of the Exploratorium installation Buried History – Water Underground along with a link to a downloadable, printable map here.

I would appreciate any input from anyone in the Bay Area with up-to-date information or ongoing projects related to the cisterns.

Note: This post was originally posted on Substack on 01/31/25 and added to the Hidden Hydrology website on 04/22/25.

My first Substack publication, The Climate Landscape, explored various themes related to our changing climate and landscape architecture to examine nature-based solutions to climate change impacts. I recently decided to shelve that particular project and focus exclusively on writing about hidden hydrology; however, a few of those early essays were worth retaining here as they showed good overlap and connections between the two topics.

There is a direct connection between our citiesโ€™ buried and lost rivers and climate change. I touched on climate here previously in this post โ€œLost Rivers for Underground Energy. It took me some time to make a direct connection between my research on climate and lost waterways until more recently, and the revelation allowed me to weave together these two passions.

Iโ€™ve continued connecting the dots and trying to build a case for the importance of historical ecology and hidden hydrology in being the locus for solutions to contemporary issues, and not just focused on nostalgia. One aspect of this is looking first at causes and effects โ€” looking back at the erasure of waterways from cities and demonstrating that the loss of ecological and hydrological systems exacerbates climate impacts such as urban heat, flooding, and sea level rise. I also looked forward to showing the patterns of historical hydrological systems that can act as frameworks for innovative climate solutions to provide adaptation and mitigation opportunities. The idea of โ€œhydrological retro-futuresโ€ is the term I chose for this backward-forward process, which allows us to connect the historical ecology to the modern metropolis and tell these stories in an engaging, visual format.

One aspect of this project is visual. By using various graphical generative AI resources like DALL-E (see image below), I have been creating speculative images of hidden hydrology in the urban context, and exploring ways that revealing, restoring, and reconnecting with lost rivers can help us imagine the potential visual impacts that could be gained. I will share more in-depth on this project and some of the interesting graphics in a later post.

Hydrologic Retrofutures: Portland Series 1 (Generated in DALL-E via prompts Jason King)

The other aspect is research and case-study-based. Brainstorming a few key topics areas, I will continue to explore here, including:

  • MICROCLIMATE COOLINGThe daylighted streams will restore ecosystem services lost when buried, such as the presence of cooling surface water and vegetation that can aid in mitigating urban heat islands.
  • FLOOD STORAGE CAPACITYDaylighting streams and springs currently in pipes will increase the capacity of infrastructure systems and make them more effective for flood resilience.
  • SEA LEVEL RISEAreas of made-land in cities as a proxy for areas of flooding due to SLR and storm surge and ways to adapt these to absorb with more resilience
  • WATER HARVESTING TO SUPPORT URBAN BIODIVERSITYDiversion of water that would be piped into uses for support of landscape vegetation and urban greening
  • WATER USE FOR COOLING ENVIRONMENTSTapping into water from subsurface water pipes to help cool cities – use in pools, water features, misters, etc.
  • WATER FOR HEATING & COOLING BUILDINGSUsing water from buried sewer pipes for heating buildings
  • PALEO VALLEYSLooking at hidden ancient river valleys as sources for groundwater recharge and storage as new aquifers

By exploring these topics, I aim to gather feedback and generate a complete toolkit of solutions that can provide designers, planners, and policy-makers with options that work in multiple climates and scales and provide cascading benefits when implemented. Iโ€™d be interested to know of other topics and solution areas out there beyond this list, as well as any case studies, writings, or research on these topics.

Below are a handful of previous stories that cover some of these topics.


ANCIENT WATERWAYS FOR COOLING CITIES

A recent article in Fast Company outlines the idea of โ€œHow ancient waterways could be tapped to cool scorching citiesโ€. The focus is on new scanning methods to reveal buried streams and โ€˜ancient waterwaysโ€™ and how to see the hidden infrastructure and potentially repurpose the water for climate change adaptation strategies. The group leading this effort is Cool City, an offshoot of the Korean Pavilion as part of the 2021 Venice Biennale, with projects using mapping underway in both Naples and Seoul. The unique idea here is to use handheld 3D scanning technology to provide more detailed scans of systems and then to use the gathered data to inform decisions for climate.

3D scanning of โ€œCasa dellโ€™Acquaโ€ Municipality of Volla (via Cool City)

Thereโ€™s merit to this as a way of approaching climate change through the use of these buried systems, both as a resource for water for irrigation and a passive cooling system and as a way to increase pipe capacity by removing underground streams through daylighting which frees up vital volume for additional stormwater management.

Mapping these has been done for many years, either as a GIS exercise with overlays of historical maps on current conditions and subsequent field verification or looking at current sewer and water and combined systems. This provides a good working system network to understand this hidden potential but not forgotten water in the city. Still, Cool City is taking it to the next level, as mentioned in the article, quoting a project collaborator, Nick De Pace, a professor of architecture and landscape architecture at the Rhode Island School of Design:

โ€œBuried streams and old waterways are not totally lost to time. Many cities have maps showing where a former creek has been shunted into an underground tunnel to make way for aboveground urban development, for example. But De Pace says many of these maps are imprecise, and the new digital scanning and mapping of the Cool City project can bring much more actionable detail to buried streams, aqueducts, and springs. By using this water to irrigate green roofs, parks, and other urban vegetation, cities can counterbalance their heat-trapping hardscapes.โ€

A low-resolution snapshot of the scan below shows how compelling this composite imagery may be, showing the spaces above and below. Does it aid in climate planning, maybe? They mention that it can be used for irrigation, for more green spaces to mitigate urban heat islands, and for having more water on the surface to reduce heat and provide more cooling. Additionally, the mix of green and blue infrastructure systems can tap into the buried water to help adapt to climate change impacts.

Composite scan of subsurface conditions (via Fast Company)

I wonder, however, how feasible it will be to scan much of the sub-surface infrastructure as proposed above by Cool City, as itโ€™s a mixed bag of small and large pipes and some more expansive and cavernous sewers, depending on the location and the era in which they were implemented. Itโ€™s a question to me if it is helpful to have 3D versions of these systems, or is mapping or modeling adequate to see the potential system components and flows and determine how it can be โ€˜tappedโ€™ to become a tool to fight climate change?

3D scanning is an excellent visualization tool, as it is often difficult to imagine what lies beneath, which is less compelling than a line on a map. As mentioned in the article, understanding the available water resources more clearly is half the battle. The next part is how to operationalize this water for climate strategies. I am interested in seeing more from Cool City, how the technology works, and what solutions come up for using hidden hydrology for climate solutions.


DETROIT: BURIED BUT NOT DEAD

Connecting the dots of Hidden Hydrology and Climate Change, a recent article makes the link between buried streams and wetlands and flood risk while investigating the inequitable distribution of risk by overlaying redlining map data. A recent article focused on Detroit dives into this connection. (โ€œBuried but not dead: The impact of stream and wetland loss on flood risk in redlined neighborhoodsโ€ by Jacob Napieralski, Atreyi Guin, and Catherine Sulich; City and Environment Interactions, January 2024.)

While tying flooding to historically buried waterways isnโ€™t novel, this is a unique idea, using mapping to overlay the Home Ownersโ€™ Loan Corporation (HOLC) maps showing redlining categories, which are well-documented spatial histories of racial and socioeconomic discrimination. The researchers used these factors (buried streams and redlining grade) as two of the criteria for flood risk along with proximity to coastal zones and intensity of vegetative cover.

Redlining Map of Detroit Metro Area (via Article)

The article is a deep dive, so I will skim on the surface with a bit on the methodology and findings, which are engaging and would be replicable anywhere using similar criteria. The mapping processes, including mapping and DEMs, were interesting. The inference of buried water bodies and flood risk has been borne out in recent events. The authors explain the connections between mapping and current flood risk:

โ€œAlthough the actual stream channel or wetland surface were buried and built upon, high resolution elevation models (e.g., LiDAR) can be used to reveal the remnants of distinct depressions from these structures, such as meandering stream valleys, in heavily urbanized landscapes. The authors assume that, although no longer occupied by active streams or wetlands, residential homes built on buried stream valleys will experience an elevated probability of flood risk not included in floodplain maps, but also that the process of burial and removal were influenced by income and race embedded in some of the racist housing policies of the 1930s and 1940s.โ€

Figure from article: โ€œAn example of a river in Southwest Detroit identified by the first United States Geological Survey (USGS) topographic map from 1905 (top left), the existing buried stream valley, as evidence from LiDAR data from 2020 (elevation units in feet above sea level), that is capped with residential development (top right), and the intense First Street Foundation Flood Factor risk of parcels near the ghost river (bottom).โ€

The flood risk data came from First Street Foundationโ€™s Flood Factor, which would be good to explore in more detail. As described, the flood risk of parcels is rated 1 to 10 based on the chance of flooding in a time interval. There were also additional criteria, as mentioned, with coastal proximity, using available data, and vegetation density using Normalized Difference Vegetation Index (NDVI) data to describe the level of vegetationโ€”more on both of these in the article, along with all the analyses.

A figure from the article showing flood risks by type of area โ€œassociated with inland, coastal zone, ghost streams, and ghost wetlands within redlined neighborhoods.โ€

The results reinforce other narratives of disproportionate risk tied to redlining districts that had more marginalized populations. The level of parcels at risk in zones C and D from the HOLC maps, although the amount of burial varied with the presence of most buried streams in HOLC Grade A & B and more buried wetlands in HOLC Grades C & D. As the authors mention:

โ€œFlood risk is disproportionately distributed, caused in part by outlawed, racist housing policies. Understanding where risk is highest can help identify optimum locations for adaptation measures to minimize flood damage in these neighborhoods.โ€

This does bring up why mapping these streams is important, and the connections to climate change, although not overt, are implied as changes in precipitation and storm intensity make flood risks more frequent and more damaging. As the authors conclude (with a nice reference to hidden hydrology (citation please), the โ€œโ€ฆrole of redlining in present day flood risk applies to cities throughout the United States, as does the importance of mapping ghost streams and wetlands to inform residents of the role โ€œhidden hydrologyโ€ may play in increasing flood risk.โ€

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SAVING SWAMPS TO SAVE OURSELVES

It was a treat to read one of my favorite authors, Annie Proulx (Swamps can protect against climate change if we only let them, New Yorker – 06.27.22), discussing wetlands and their potential for climate change protection. She includes tales of killer herons, stolen rafts, and evocative ideas on our complex relationship with swamps, noting that โ€œMany modern Americans do not like swamps, herons or no herons, and experience discomfort, irritation, bewilderment, and frustration when coaxed or forced into oneโ€ฆโ€

Illustration by Carson Ellis (via New Yorker)

Swamps were not always reviled or out of favor, as Proulx recounts, in particular the views of Henry David Thoreau, on the subject:

โ€œThoreau has been called the patron saint of swamps, because in them he found the deepest kind of beauty and interest. He wrote of his fondness for swamps throughout his life, most feelingly in his essay โ€œWalkingโ€: โ€œYes, though you may think me perverse, if it were proposed to me to dwell in the neighborhood of the most beautiful garden that ever human art contrived, or else of a Dismal Swamp, I should certainly decide for the swamp.โ€

The connection to hidden hydrology lies in the massive loss of wetlands and the subsequent loss of function to reduce carbon and the numerous ecosystem services beyond that are provided by wetlands in filtering and mediating water in our landscapes. Development in the US meant filling wetlands for farmland, pasture, and eventually cities. The swamps often were a barrier to progress and Proulx notes:

โ€œAcross the country, the ongoing stories of vile adventures in the muck made it clear to military, government, and citizenry that something had to be done about the swamps so universally detested. Everywhere there were horrendous mixtures of fen, bog, swamp, river, pond, lake, and human frustration. This was a country of rich, absorbent wetlands that increasingly no one wanted.โ€

As this occurred, there were impacts, but climate change, and sea level rise in particular, exacerbates flooding, and filled-in wetlands at the margins are poor habitats for the buildings or fields we placed on them that are now in danger of being washed away with more intense storms. There were impacts to landscapes and plantings that reduced habitat. Beyond biodiversity loss, humans will feel the overall loss of resilience more acutely. Still, it is hard to save or restore these landscapes, as Proulx notes in her story of the Black Swamp.

โ€œOne authority on water, William Mitsch, has suggested that if ten per cent of the old Black Swamp soils were allowed to become wetlands again they would cleanse the runoff, yet Ohioans remain powerfully anti-wetland. Even private efforts to restore small wetland areas are met with neighborsโ€™ complaints about noisy frogs and fears of flooding.โ€

Related are mangroves, which are also summarily destroyed, taking with them the ability to reduce storm surges and protect coastal areas in places like the Everglades. As described: โ€œMangrove swamps have been called the earthโ€™s most important ecosystem, because they form a bristling wall that stabilizes the landโ€™s edge and protects shorelines from hurricanes and erosion, and because they are breeding grounds and protective nurseries for thousands of species, including barracuda, tarpon, snook, crabs, shrimp, and shellfish. They take the full brunt of most storms and hurricanes, and generally surviveโ€”but not always.โ€

Larger, more intense hurricanes can damage mangrove areas with salt or sediment intrusion, reducing their ability to regenerate and removing their support for biodiversity. While natural disasters are a risk, development still threatens these areas despite mounting evidence of their benefits.

โ€œAlthough climate researchers see mangrove swamps as crucially important frontline defenses against rising seawater and as superior absorbers of CO2โ€”they are five times more efficient than tropical forestsโ€”they are in big trouble, and mangrove removal is a constant threat.โ€

The conclusion for Proulx is to re-establish our love of the swamp, and connect the existential threat of climate change to our ways of life to the natural systems we destroy in the process. Protecting what is there in terms of wetlands and mangroves left standing is the first goal, as well as restoring and expanding these valuable ecosystems, all of which are possible, even necessary as adaptation and mitigation strategies. Proulx ends with a call to action we can all heed:

โ€œIt is usual to think of the vast wetland losses as a tragedy, with hopeless conviction that the past cannot be retrieved. Tragic, indeed, and part of our climate-change anguish. But as we learn how valuable wetlands are in softening the shocks of the changing climate, and how eagerly the natural world responds to concerned care, perhaps we can shift the weight of wetland destruction from inevitable to โ€œnot on my watch.โ€ Can we become Thoreauvian enough to see wetlands as desirable landscapes that protect the earth while refreshing our joy in existence? For conservationists the world over, finding this joy is central to having a life well lived.โ€

Note: This post was originally posted on Substack on 12/17/24 and added to the Hidden Hydrology website on 04/22/25.

The recent essay, โ€œDaylighting a Brook in the Bronxโ€ (Pioneer Works, 10.23.24), by Emily Raboteau, focuses on a high-profile stream daylighting project from a residentโ€™s perspective. The project to daylight Tibbetts Brook has been ongoing for many years. For some quick background, Tibbetts Brook originates north of New York City in Yonkers, where it flows from Tibbetts Brook Park, heading south into the Bronx and reemerging above ground in Van Cortlandt Park. It then flows underground the remainder of the way south through the city, as demonstrated on the graphic below, showing the original course of the now-buried waterway and its eventual connection into the last leg of the Harlem River before draining into the Hudson.

Illustration of Tibbetts Brookโ€™s original course in the Bronx – via Pioneer Works

Raboteau, a resident of the Bronx, outlines the project from a personal and experiential perspective, joining some of the local advocates from the Tibbetts Advisory Group and the Parks Department and others working on the daylighting project and highlighting some of the site-based artworks focused around the brook. The positives of the project are notable, as she mentions early on in the essay:

โ€œDaylighting will abate combined sewage overflow, extend greenspace, absorb heat, and relieve chronic flooding in our areaโ€™s janky, archaic drainage system, in an act of climate mitigation and as a community effort to solve a mess caused by old crimes.โ€

Iโ€™m not planning on spending too much time recounting her specific words, which I strongly encourage you to take the time to read. I wanted to extract my reflections on a couple of critical themes she highlighted in her essay.

Perfection and Imperfection in Daylighting Projects

The challenges of these projects are myriad, and while striving for a solution that solves all the problems, trade-offs must often be made. She mentions a couple of issues, including the high cost, resistance from the MTA, and the need to underground the creek under rail lines in some industrialized portions. Additionally, gentrification could arise by โ€˜cleaning upโ€™ marginal spaces during the daylighting project. On one hand, revitalization could improve the area and attract new residents and economic activity. Conversely, the improvements could incentivize new developments and rising costs, displacing long-time residents. Another issue she brings up is the potential lack of good access from some of the adjacent neighborhoods, creating questions of ultimately who will benefit and the overall environmental justice issues at heart in any project like this. As she notes:

โ€œI had so many ethical questions without easy answers. It felt uncouth to ask them of a dream thirty years in the makingโ€ฆ. Could it ever be pleasant here? Difficult to picture. Even with the brook resurrected, there would still be the sound of the road.

I wondered: how else might the park change the neighborhood? Will it invite gentrification? Will it grow too expensive to live here? Despite the ecological and economic benefits, will anyone suffer? Can daylighting outpace inundation, or will it be rendered moot by water tables that rise with the sea? If flooding catastrophes continue, what then? Would government funds be better spent moving the most disadvantaged among us out of the watershed to higher ground? Has anyone asked for the brookโ€™s consent? Whose help is sanctioned when it comes to healing the land, and whose is rebuked?

The intersecting concerns and challenges are common in similar projects, no less complicated by threading daylighting through a dense urban center. Patience, openness, and creativity are vital, but the lack of these often results in projects never seeing the light of day. Compromises cannot come at the cost of marginalized communities. Yet, the short-sightedness of attempting to achieve โ€œperfectโ€ restoration in the form of all-or-nothing solutions is equally as damaging to attain nothing. The ability to see multiple solutions that can celebrate, reveal, and restore function requires looking beyond the ecological and including pointing a lens at the cultural context of these projects, balancing imperfection with appropriateness.

Cultural Restoration

The potential of restoration lies beyond the technical aspects and helps us fill the gaps left in implementing imperfect solutions. Raboteau mentions some of the work of artists around the brook, much of it done under the banner of the โ€œRescuing Tibbets Brookโ€ project as part of the Mary Miss-led project, City as Living Laboratory. Works mentioned include Visions of Tibbetts BrookTibbetts Estuary Tapestry, and Estuary Tattoos, all focusing on artistic and community works around the creek restoration.

Other cultural works are mentioned in the essay. Dennis RedMoon Darkeem‘s upcoming work and the planned daylighting project use harvested mugwort, an invasive species growing near the creek in Van Cortlandt Park, and weaving it into large textiles to act as sound barriers along the course of the stream corridor. She goes into more detail about two other artists. Noel Hefele and his Daylighting Tibbetts en Plein Air paintings (see below), and The Buried Brook, an augmented reality installation by Kamala Sankaram that uses a phone app to trace โ€œthe sonic geography of the buried Tibbetts Brook.โ€

Van Cortlandt Park South Bridge (via Noel Hefele)

Numerous documents and reports on the proposed $133 million project to daylight the brook can be discovered online, touching on many technical challenges. The real story is about grounding the technical with the human dimensions while highlighting the more prominent themes of hidden hydrology. Overall, the result of these cultural explorations to complement the hydrological and ecological, to Raboteau, can be revelatory:

โ€œI appreciate how initiatives like these offer an expansive response to catastrophe, a way to gather, and even a sense of hope. Itโ€™s not just the architecture of the daylighting project that interests me, the restitching at the scale of infrastructure, or the civic muscle behind the job, but the metaphysics of the exhumation. Daylighting feels like a cause for ceremony, a chance to pay respect to the body of the ghost river that flows unseen under our feet. Better yet, to imagine the perspective of the brook.โ€

Both ideas above are inherent in the conceptual potential of what can be accomplished when we think beyond just daylighting as a functional pursuit. First, we must move beyond unrealistic ideas of โ€œperfectโ€ and strive to achieve real projects that inevitably fall short of all that can be accomplished but succeed in not collapsing under the weight of being overly idealistic. Second, to achieve the first, we must continue to explore and expand our ways of engaging with lost rivers and buried creeks beyond. These include the incorporation of a continuum of solutions from the artistic to the ecological.

The recollection of the creek can be expressed metaphorically through art and soundscapes, which provide additional layers of meaning and context to the project’s more functional hydrological and ecological goals. This shows how daylighting projects, while aiming for restoration of function, are not really about attempts at pure ecological restoration but a mix of green infrastructure and ecological design aimed at multiple goals like access to nature for humans and other species, reconnecting communities, and achieving climate-positive design, among many other potentialities.

The potential of these solutions highlighted by Raboteau:

โ€œDaylighting feels like a cause for ceremony, a chance to pay respect to the body of the ghost river that flows unseen under our feet.โ€


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CONTEXTUAL CODA

Tibbetts Brook has been a topic of interest in my thinking on Hidden Hydrology for some time. I first discussed the Brook in an article on Steve Duncan, a โ€˜drainerโ€™ type of urban explorer focusing on underground and buried creeks and rivers. He has explored and photographed urban creeks around the globe, but focused on many New York City creeks, including Tibbetts Brook, as I wrote about in a post, โ€œNYC: Watercourses to Undercityโ€ (Hidden Hydrology, 12.28.17).

Tibbetts Brook, photo by Steve Duncan (via National Geographic)

Tibbetts Brook was the subject of the article โ€œWhy New York Is Unearthing a Brook It Buried a Century Agoโ€ (NY Times, 12.6.21), which discusses the project goals and objectives in detail. โ€œThe city plans to unearth the brook โ€” an engineering feat known as โ€œdaylightingโ€ โ€” at a cost of more than $130 million, because burying it in the sewer system has worsened the cityโ€™s flooding problems as a warming planet experiences more frequent and intense storms.โ€

The re-interest in the Tibbets project and connections to climate-related flooding came about as a reckoning of post-hurricane Ida solutions, which included more โ€˜spongyโ€™ green infrastructure, hardening critical infrastructure, and methods to โ€œunclog drains and widen pipes.โ€ Iโ€™ve written about Eric Sandersonโ€™s work of historical ecology and mapping hidden waterways in his Mannahatta and the broader Welikia Projects. He writes a powerful post-Ida opinion piece, โ€œLet Water Go Where It Wants to Goโ€ (NY Times, 9.28.21), where he connects the impacts of Hurricanes Sandy and Ida to areas where waterways were buried, shorelines filled, and wetlands paved over.

โ€œWater demands a place to go. That means making room for streams and wetlands, beaches and salt marshes. It means solving human-caused problems with nature-based solutions. These include removing urban impediments to let streams flow once again, a process known as daylighting; restoring wetlands and planting trees. It also means using the collective power of our community โ€” expressed through tax dollars โ€” to help people move to safer places.โ€

Overlay of flooding locations (28th Street subway station) in New York City and the location of former wetlands (The National Archives via NY Times)

In my reflection on this article by Sanderson, these connections between hidden hydrology and climate are of keen interest, so this led me to investigate in more detail one of the significant benefits espoused by those advocating daylighting Tibbetts Brook โ€” which was alluded to by Raboteau โ€” the ability to make cities more resilient to climate change by removing base flow water from buried pipes, or captured streams, through daylighting, and freeing up that water to handle extreme rainfall events and reduce flooding. As noted in the NY Times article:

โ€œThough out of sight, the brook pumps about 2.2 billion gallons of freshwater a year into the same underground pipes that carry household sewage and rainwater runoff to wastewater treatment plants. It takes up precious capacity in the outdated sewer system and contributes to combined sewer overflows that are discharged into nearby waterways.โ€

To learn more about this concept, I wrote on โ€œCaptured Streamsโ€ (Hidden Hydrology, 12.11.21), taking a deeper dive into the broader idea and its applications globally, drawing on a paper by Adam Broadhead and others, which makes the case that the encasement of freshwater streams in urban sewers is a widespread issue, significantly increases wastewater treatment costs by needlessly treating clean water and the various economic, social, and environmental benefits of diversion. The team included case studies from Zurich, highlighting efforts by the Swiss city to pioneer the idea of urban daylighting to remove base flow.

A diagram of the process, similar to the process envisioned at Tibbetts Brook, from the paper is below.

Diagram of buried stream separation from sewers in Zurich (via Broadhead et al.)

The Tibbetts Brook project aims to be a model case study in this form of separation. While the result will fulfill the goals to reduce flooding, create more resilience, and provide additional positive environmental benefits, the more significant questions Raboteau asks in her essay are vital to allow us to envision the bigger picture and redefine what counts as success: Who is included at the table in planning and design and how are those voices given appropriate weight? Who ultimately benefits? Who has access when the project is complete?

Give the essay a read, and let me know your comments.

Note: This post was originally posted on Substack on 11/30/24 and added to the Hidden Hydrology website on 04/22/25.

The article โ€œReaching the Light of Dayโ€ (Orion, May 23, 2024) is compelling if youโ€™re interested in hidden hydrology. Author Corinne Segal recounts some of the larger themes and projects around โ€œghost streams,โ€ including work in New York, Baltimore, Auckland, Istanbul, and a handful of other locations. Beyond some of the projects they note, the article poses a larger question regarding our ancient โ€˜kinshipโ€™ with water. This struck me as essential to the conversations around hidden hydrology, so took this as an opportunity to explore further. Various nuances and definitions of kinship span from biological to sociological. For a reference point, I grabbed this quick definition:

kinยทship /หˆkinหŒSHip/, noun. blood relationship; a sharing of characteristics or origins.

One could make a case for both parts of this definition. While weโ€™re not technically related, there is a physical biochemical connection between our bodies and water, as our lives ultimately depend on water for our existence. Thus โ€˜blood relationshipโ€™ takes a literal dimension: healthful when we talk of life-sustaining properties; harmful when we talk about, for instance, toxicity due to water pollution. The negatives are often of our own doing, caused by abuse or neglect of our โ€˜kinโ€™ impacting our bodies in negative ways with disease. It is a kinship of reciprocity, reflecting a link between our treatment of our โ€˜kinโ€™ and how it is tied physically to our survival.

The second definition here is most compelling, diving into our deeper emotional relationship with water. The โ€˜sharing of characteristics or originsโ€™ resonates powerfully with our relationship with water. This summer I read the 2023 posthumously published dialogue with Barry Lopez and writer Julia Martin titled Syntax of the River: The Pattern Which Connects. Much of the discussion focused on how Lopez engaged that kinship early in life through language, as a way to know, only later in life, expanding the relationship through a deeper dive into โ€œsyntaxโ€ to develop understanding and attain wisdom.

An excerpt from his elaborates on this idea:

โ€œI think when youโ€™re young you want to learn the names of everything. This is a beaver, this is spring Chinook, this is a rainbow trout, this is osprey, elk over there. But itโ€™s the syntax that you really are after. Anybody can develop the vocabulary. Itโ€™s the relationships that are important. And itโ€™s the discerning of this three-dimensional set of relationships that awakens you to how complex this is at any one moment.โ€

The only way to develop these three-dimensional relationships is through consistent contact, which requires occupation of and awareness of place. As he visits and revisits his local McKenzie River, he partakes in constant unfolding. He notes some of these observations: โ€œThe water has a slightly different color during the four seasons, depending on how much snow and glacial melt is in it. And the parts of the river that are not visible in the summer are visible in the winter, because of the loss of leaves of deciduous trees.โ€

This connection with water, as Lopez describes it, requires spending time physically interacting with these environments, and conducting actual visits with our โ€˜kinโ€™ to deepen ties. The wrinkle here is how we adapt this approach for the โ€˜lostโ€™ or โ€˜forgottenโ€™, those hidden streams and buried waterways that no longer have a discernable physical presence. The relationship is no longer about observation in the present but about memory. This perhaps is similar to thinking about our lost kin, to think of lost streams in terms of death. In this way. This could be a way to reframe the relationship as grief and loss, allowing us to draw from the deep well of resources to rethink how we remember and celebrate those lost relationships.

Holy Spring in Istanbul – via Orion Magazine

Iโ€™m reminded of one of the origin stories of Hidden Hydrology, with author David James Duncan recounting a tale in his fabulous book โ€œMy Story As Told By Waterโ€, of the death of one of his favorite fishing spots in his stomping grounds east of Portland:

โ€œAt six-thirty or so on a rainy April morning, I crept up to a favorite hole, threaded a worm on a hook, prepared to cast โ€“ then noticed something impossible: there was no water in the creek. โ€ฆI began hiking, stunned, downstream.  The aquatic insects were gone, barbershop crawdads gone, catfish, carp, perch, crappie, bass, countless sacrificial cutthroats, not just dying, but completely vanished.  Feeling sick, I headed the opposite way, hiked the emptied creekbed all the way to the source, and there found the eminently rational cause of the countless killings.  Development needs roads and drainfields.  Roads and drainfields need gravel.  Up in the gravel pits at the Glisan Street headwaters, the creekโ€™s entire flow had been diverted for months in order to fill two gigantic new settling ponds.  My favorite teacher was dead.โ€

It is sometimes challenging to think of hidden hydrology through the lens of grief, but you can feel Duncanโ€™s pain at the loss of this urban creek. Itโ€™s one cut in the death of a thousand cuts that makes up the global tragedy โ€” the devastation wrought throughout the world on waterbodies in the name of progress. However, the impact is muted for several reasons. First, we, unlike Duncan, are often not around when most of these creeks and streams existed in the first place, so we donโ€™t comprehend what we lost. Second, there are remnants and surviving resources that we can still connect within our cities, so the erasure is not complete enough to equal extinction. Finally, these places fade from memory, and, out of sight, out of mind, we forget as we trod over their buried pipes and filled depression blissfully unaware.

When we lack a strong presence of these historical remnants, we tend to feel greater disconnection, the subtle traces not sufficient for us to feel a connection. This drives our need to reveal and reconnect using a variety of methods: artistic, metaphorical, and ecological. This is hidden hydrology as a practice: the reason for us to study old maps, trace the lines of old creeks, and attempt to restore kinship.

Baltimore Ghost Rivers – via Orion Magazine

Hidden hydrological features, unlike humans, can physically be restored and brought back to life in a sense. Beyond just memory, we have the potential for rebirth, through our creative endeavors: historical ecology mapping, painting the routes of streams on roadways, ecological restoration, and daylighting. โ€œBack from the deadโ€ seems a morbid way to think of the processes of restoration, but it gives us the ability to reconnect and restore.

Several other themes can intersect and expand this idea. I recently re-read a portion of Braiding Sweetgrass, where Robin Wall Kimmerer talks of the Grammar of Animacy. I am struck by the similar themes of kinship, as she discusses how we relate to and reference these ecological systems. An excerpt from an Orion article from 2017, โ€œRobin Wall Kimmerer on the Language of Animacyโ€ hints at this idea:

If itโ€™s just stuff, we can treat it any way that that we want. But if itโ€™s family, if itโ€™s beings, if theyโ€™re other persons we have ecological compassion for themโ€ฆ Speaking with the grammar of animacy brings us all into this circle of moral consideration. Whereas when we say โ€œit,โ€ we set those beings, those โ€œthings,โ€ as they say, outside of our circle of moral responsibility.โ€

We connect our morality to things we understand. Another theme that this also evokes is the writings of Robert Macfarlane, particularly when he speaks of language and how words connect us to the natural world, another form of โ€˜kinshipโ€™. I wrote eons ago about this lost language of nature, including Macfarlane and Anne Whiston Spirn, both of who also have written about lost rivers. Along with Lopez and Kimmerer, these authors prod us to rethink our ability to connect with our kin, hidden or visible, degraded or pristine.

Iโ€™m curious to hear your thoughts on how we can develop and expand these relationships, our โ€˜kinshipโ€™, specifically with places no longer visible and viable. Are there good examples you know of where lost relationships have been reestablished? Do you feel a kinship or even see this as a goal, with other species or with the wider landscape?

Note: This post was originally posted on Substack on 11/06/24 and added to the Hidden Hydrology website on 04/22/25.

The article โ€œA cartography of loss in the Borderlands.โ€ (High Country News, 02.21.24) outlines the work of artists Jessica Sevilla, Rosela del Bosque, and Maytรฉ Miranda includes documenting the โ€œArchivo Familiar del Rio Colorado.โ€ This โ€œColorado River Family Albumโ€, in their words โ€œโ€ฆbrings together contemporary art, environmental education and historical research to document bodies of water that are disappearing or are already gone.โ€

Archival map overlay – Colorado River Delta (Archivo Familiar del Rio Colorado/HCN)

The work focuses on the area around Mexicali, tracing the memories of rivers and waterways that have been erased via burial or polluted by contamination. The town included diverse Mexican and Chinese workers, who helped develop the Imperial Valley in Californiaโ€™s irrigation canals and working farm fields. This has evolved into a border town with maquiladoras, which has led to an industrial urban pattern. For the artists, the connection to this place is important. โ€œThey named the project the Family Album to signal its focus on personal connections to the landscapeโ€ฆ to show that our relationship with the Colorado River and the landscape of Mexicali is that of a relative.โ€

The work incorporates historical source data and art in creative ways to discover the lost elements of the Colorado River area. A video on their You Tube page visually explores the ideas the project is tackling, with English and Spanish subtitles.

The project’s website also outlines many specific projects, installations, and workshops created by the collective and through their curated works. This was a call for entries along with Planta Libre, as noted in the โ€˜Announcement.โ€

โ€œWe began by launching a call in collaboration with Planta Libre and through a resource provided by FONCA for the reactivation of scenic spaces, seeking to receive memories and memories about landscapes and bodies of water that no longer exist, as well as speculations about alternate futures, pasts or presents. for the rivers, lagoons, canals, lakes that used to run through the city of Mexicali. The categories of the call were photos, anecdotes and fictions about the bodies of water of the Colorado River. We receive fictitious maps, newspaper images, family archives accompanied by anecdotes, among other materials. The call remains open and the search for family archives and oral histories continues.โ€

Work of artist Fernando Mendez Corona – Scarcity and abundance (Archivo Familiar Del Rio Colorado)

Sevillaโ€™s website includes more information on the project and some graphics. She also includes a summary statement:

โ€œLocated between geopolitical, epistemological and disciplinary borders, we investigate our relationships with water and territory; launching the Colorado River Family Archive as a technology to generate situated knowledge, collectively confabulating about the interwoven temporalities of our relationships with the more-than-human in the Colorado River Delta.โ€

Conceptual Diagram (Jessica Sevilla)

The cross-border dynamic is an interesting element of the work, mediating the governmental and political boundaries imposed on the natural systems, and highlighting the power dynamics of water in the US and Mexico. These liminal spaces provide interesting opportunities for exploration, and in the context of the contested borderlands, inevitably weave politics with water and the ecosystems, communities, and people who occupy these spaces.

Map of Colorado Delta and Imperial Valley showing Laguna Salada (Archivo Familiar Rio Colorado Instagram)

Additional information and updates on the project are available via their Instagram and Facebook.

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Note: This post was originally posted on Substack on 05/10/24 and added to the Hidden Hydrology website on 04/23/25.

The Pacific Northwest has long been one of the innovation hubs for green infrastructure solutions. Portland, Seattle, and Vancouver have been leaders for over two decades in developing innovative options to manage stormwater in urban environments, creating decentralized solutions such as green streets, rain gardens, green roofs, and permeable pavings that have now become standard solutions and spread widely to regions.

In places with high rainfall, the initial drivers for these solutions were managing stormwater and reducing combined sewer overflows (CSOs) where rain and sewage mix in pipes, which, in extreme events, overflows into waterways creating pollution issues. The importance of green infrastructure has grown to include multifaceted outcomes, helping mitigate climate impacts by reducing flooding and providing shade to reduce urban heat, and providing โ€˜greenโ€™ solutions over โ€˜greyโ€™, increasing habitat and helping minimize biodiversity loss.

Thinking strategically about where these solutions are built is key to success. Looking beyond site-specific and one-off strategies, the goal is to provide larger overarching frameworks for how these strategies are planned to work together to achieve holistic results, and ways to plan for these interventions. โ€œHow Rainways Could Restore โ€˜Raincouverโ€™โ€ (The Tyee, August 24, 2023) highlights some of the recent work in Vancouver. What they refer to as โ€˜Rainwaysโ€™ are the green infrastructure interventions that have been proposed by City and community groups going back to 2012 built around water in the city and ways to discover and celebrate it.

St. George Rainway illustration (City of Vancouver, The Tyee)

The St. George Rainway is another precursor to some of the work. It was studied and determined that true creek daylighting would be a challenge, due to infrastructure and costs, however, there were other ways to functionally and metaphorically restore the essence of buried creeks through green infrastructure and art. Neighbors have implemented several interventions, including street murals that follow the meandering route of the old creek.

St George Rainway Street Mural (St George Rainway Project)

To further visualize the potential benefits, the team here are some good before and after visuals on the site, transforming asphalt into rain gardens with pathways and plantings.

Visualization of Rainway along 12th Avenue to Broadway (St. George Rainway)

Rain City Strategy

For a deep dive, the Rain City Strategy is a comprehensive document published in 2019 to celebrate water and address environmental and social challenges. The basis is green infrastructure in the city, using streets and public spaces, buildings and sites, and parks and beaches. The overall goals are water quality, resilience, and livability. This includes the management of stormwater to protect and increase water quality, facilitate infiltration, and become more adaptable to climate impacts by mitigating flooding. Beyond function, creating spaces that provide equitable access to nature and benefits to the community are inherent in solutions, assuring they arenโ€™t just solving one problem but many.

Rain City Vancouver (City of Vancouver)

The report includes references to the original buried and disappeared streams that existed before urbanization. These maps build on the work going back almost 50 years to research done by Sharon Proctor in her book โ€˜Vancouverโ€™s Old Streamsโ€™, published in 1978 with a sweet hand-drawn version of the map below (read more about this in my 2016 post โ€œVancouverโ€™s Secret Waterwaysโ€).

The execution of more formal St George Rainway design concepts is available from 2022, showing how the concepts are applied to the segments of St. George Street, with plans and sketches illuminating the proposed condition.

Concept Design – St. George Rainway (City of Vancouver)

The holistic proposal of looking at the macro-level buried rivers as the genesis for these community interventions. The benefits of the designs are manifold, as noted in the project summary:

  • Reduce street flooding
  • Treat rainwater pollutants from roadways
  • Reduce combined sewer overflows into local waterways
  • Enhance climate resiliency
  • Increase biodiversity
  • Cool the neighbourhood during summer heat

CODA

Itโ€™s great to see this connection between hidden hydrology and innovative stormwater solutions take shape in such an intentional way. In the past, cities have looked at these buried stream routes in locating facilities and creating smaller sub-watersheds. For some background, in a presentation back in 2006 at the National ASLA conference, I did a presentation entitled โ€œNeighborsheds for Green Infrastructureโ€, where I made a case for using the routing of buried streams as a framework to implement green infrastructure solutions in Portland, Oregon. Iโ€™ll dig up some of these ideas and repost them, as they may be worth revisiting, in the meantime, I mention it in part of my introductory โ€œEcological Inspirationsโ€ post at HH (see image below). Stay tuned for more on this.

Neighborshed Diagram from 2006 in Portland (Jason King)

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Note: This post was originally posted on Substack on 05/03/24 and added to the Hidden Hydrology website on 04/23/25.

One of the cooler examples of hidden hydrology art in the past year is โ€œGhost Riversโ€, the brainchild of designer and artist Bruce Willen of studio Public Mechanics.

Ghost Rivers (Ghost Rivers)

Envisioned as a โ€œโ€ฆpublic art project & walking tour, rediscovering hidden streams and histories that run beneath our feet.โ€ Willen uses traffic striping and signage to highlight multiple sites around the city, particularly Sumwalt Run, a buried creek that โ€œnow flows entirely through underground culverts beneath the Remington and Charles Village neighborhoods.โ€

The site includes some great background, including the history of the streams and their burial, along with some great illustrations of the path as it winds through

Stream burial (Baltimore DPW Archives, Ronald Parks – Ghost Rivers)
Sumwalt Run pipe (Ghost Rivers)

The installation itself is simple, using durable thermoplastic traffic striping in a wavy pattern that allows the line to engage with people in multiple ways and follow curbs and walks – so it is interrupting the linear flow patterns of walkers, cyclists, and driver throughout the city. This allows the eye and the curiosity to wander along these paths and connect the dots.

Images of the meandering blue path in the public realm (Ghost Rivers)

Self-guided walking tours are available and will expand as more sites are included, along with a Google map to track the route and key points. The signs are also simple, but bright and noticeable for those passersby, allowing for a bit of interactivity as they line up with the views of the meanders, and provide some background information and QR codes to scan for more engagement.

Ghost Rivers Sign (Colossal)

The summary statement explains the idea of connecting us with these hidden creeks.

โ€œBelow the streets of Baltimore flow dozens of lost streams. These ghost rivers still cascade from their sources, the many natural springs around the city. As the street grid sprawled outward from the harbor, these verdant waterways were buried in concrete tunnels. They now run deep beneath our rowhomes, channeled into the cityโ€™s storm sewers, hidden and mostly forgotten. You can sometimes hear their rushing waters echoing up from storm drains.โ€

The site also includes awesome resources for more information, history, daylighting resources, and other artistic interventions worthy of a follow-up, including a few Iโ€™ve posted about in the past and a few new ones. This is a model that is highly replicable in almost any city, using materials that are simple and evocative in unique ways to highlight those subterranean stories and make us reconsider our relationships with the hidden hydrology.

Closeup of Sumwalt Run marker (Ghost Rivers)

The idea is one of the most cohesive and elegant takes on the idea of revealing creeks using blue lines tracking the historical routing of the waterways. It draws upon precedents, mentioned by applying traffic coating, markers, or paint to mark the route of creeks, most similarly artist Sean Derryโ€™s work in Indianapolis โ€˜Charting Pogueโ€™s Runโ€ and Henk Hostraโ€™s โ€œThe Blue Roadโ€ in Drachten, The Netherlands, the proposed โ€œGhost Arroyosโ€ in San Francisco. Another art-based example from Baltimore is the โ€œGreen Alleyโ€ street painting, and more loose, ephemeral versions in the St. George Rainway in Vancouver, B.C., in Sรฃo Paulo, Brazil as part of the Rios a Ruas project, Stacy Levyโ€™s Stream Sketches in New York City.

There are lots of examples of this type of project, and it is interesting to see the different ways a simple blue line can be used to engage in revealing historical layers. So let me know if you have other favorites youโ€™ve seen.

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Note: This post was originally posted on Substack on 04/29/24 and added to the Hidden Hydrology website on 04/23/25.

The article โ€œTracing Tokyoโ€™s Hidden Riversโ€ (The Japan Times, March 2024) was a fascinating dive into hidden hydrology mapping and urban exploration through the lens of Japanese culture and added a new term to my lexicon. The concept of ankyo, ๆš—ๆธ . which at a basic level translates in English to something akin to โ€œculvertโ€, โ€œconduitโ€ or โ€œsubterranean drainโ€. These features have been removed from the city’s original landscape, yet still reveal themselves in numerous ways. This is the starting point for Hideo Takayama and Nama Yoshimura, who together started โ€œAnkyo Maniacsโ€, a group focused on exploring these urban remnants of buried and hidden streams in the City of Tokyo.

Tours of the ankyo reveal waterways flowing under manholes (The Japan Times)

The explorers rely on what they call โ€œankyo signsโ€, which include a wide range of markers that help clue us into the hidden hydrology, including place names, objects, and drains (such as shown above) which allow the visual and auditory connections to flowing water. There are also urban remnants such as barriers and old bridges that were previously in place to protect from open waterways but were never removed, or prevent access to areas that have been covered over. More obvious are places focusing on water, including baths, pools, and fishing ponds. The Ankyo Maniacs and others have refocused attention on these liminal spaces, as mentioned in the article:

โ€œWhile they may be out of our sight, Takayama says water still flows through many ankyo, while others have become part of local drainage systems. โ€œItโ€™s as if theyโ€™re telling us, โ€˜Weโ€™re still here,โ€™โ€ he says. โ€œBy getting to know them, we can appreciate the past dignity of these rivers.โ€

The basis for the exploration relies on several maps and the history of Tokyo spans many years. The Tokyo Ankyo Sanpo (Tokyo Ankyo Stroll) map, edited by So Honda, provides the go-to for locals exploring the city with ankyo and other features mapped in detail. Another more modern resource is the Tokyo Jisou, or Time Layer Maps, available as an iPhone and iPad app, which is a map viewer that shows maps of the city at different periods, spanning the Meiji to Heisei Eras from the 1800s to present time.

Images from the Tokyo Jisou Maps – by the Japan Map Center (App Store)

Beyond the specifics of mapping and exploration, the language of hidden hydrology is also fascinating, the Japanese term โ€œankyoโ€ providing a case study of the hidden poetry of the terms. At a basic level, ankyo describes these places in practical terms, as drains and culverts that work to convey water underground. When you look at the underlying meaning of the characters, it hints at ideas like โ€˜darkness, shade, disappearanceโ€™ which allude to the more mysterious nature of the network of underground features that compel us to explore. The Tokyo Ankyo Sanpo map mentioned previously also includes the opposite features โ€œkaikyoโ€ ๆตทๅณก, which are the still-visible open channels, evoking lighter ideas like โ€˜cheerful, pleasant, and agreeableโ€™.

An example of one of the tours is found on the Experience Suginami Tokyo site, providing self-guided instructions in the area of Ogikubo Station following the route of the former Momozonogawa River and portions of the Zenpukujigawa River, including โ€œankyo signsโ€ such as alleys and paths that act as covers to the buried streams, curving walkways mimicking the previous channels, and other hints at the hidden histories underneath.

Ankyo (Culvert) Tour map near Ogikubo station (Experience Suginami Tokyo)

The heart of the process isnโ€™t just about the learning or processing of information, but about the experience. The prompt by the explorers: โ€œDonโ€™t Think. Walk and Feel!โ€ is imbued with ideas about slow time, and the benefits of connecting to places more deliberately. It also connects to larger ideas about experiencing places, observing and connecting to the signs and features of the urban landscape, expressed in the Japanese concept of โ€˜wabi-sabiโ€™, allowing appreciation of nature, along the way.

The language barrier does limit my full understanding of the content, (including what seems like some great publications) so if any Japanese speakers have more to add, I would love to hear it. For some bonus content, this short video with Takayama and Yoshimura in Tokyo outlines their work exploring the ankyo.

The idea of revealing the locations of hidden places is compelling for all who study hidden hydrology in its many forms. As summed up in the video: โ€œAnkyo hunters say they enjoy the idea that at any moment you could be standing over a piece of forgotten Tokyo.โ€

Note: This post was originally posted on Substack on 04/18/24 and added to the Hidden Hydrology website on 04/18/25.

A project from artist Cristina Iglesias (see a post of some of her previous work here) again dives into the idea of hidden hydrology, this time in New York City. Entitled Landscape and Memory (referencing the title of one of my favorite books by Simon Schama), the work unearths a buried stream in Madison Square Park.

From The Architect’s Newspaper: “Manhattan is crisscrossed by streams and rivers that have since been buried but continue to flow,ย flooding their banks and the basements aboveย when it rains. Forย Landscape and Memory, Iglesias will exhume an impression of Cedar Creek, which once flowed beneath where the park now stands today.”

From the Madison Square Park Conservancy, some more info: “Nodding to historian Simon Schamaโ€™s major 1995 volume of the same name, which surveyed the history of landscape across time and terrain,ย Landscape and Memoryย is informed by Iglesiasโ€™ research into the history of the site. For the project, Iglesias located and studied antique maps that documented the water flow beneath Madison Square Park, where the Cedar Creek and Minetta Brook once coursed for two miles before flowing into the Hudson River. With nineteenth-century industrialization, streams like the Cedar and Minetta were buried underground to create additional land for building sites, underground drains, or sewers. Throughย Landscape and Memory, Iglesias renders this buried history visible again, inviting viewers to contemplate centuries of transformation of urban sites that were once natural.”

Excited to hear more about this and see more images, as the sketch is a bit… sketchy. You can check out the full press release here for more info. Based on some of her previous work it will be wonderful in execution. The work will be installed from May 23, 2022, through December 4, 2022 so those in New York City go check it out and report back.