The article “A cartography of loss in the Borderlands.” (High Country News, 02.21.24) outlines the work of artists Jessica Sevilla, Rosela del Bosque, and Mayté Miranda includes documenting the “Archivo Familiar del Rio Colorado.” This “Colorado River Family Album”, in their words “…brings together contemporary art, environmental education and historical research to document bodies of water that are disappearing or are already gone.”
The work focuses on the area around Mexicali, tracing the memories of rivers and waterways that have been erased via burial or polluted by contamination. The town included diverse Mexican and Chinese workers, who helped develop the Imperial Valley in California’s irrigation canals and working farm fields. This has evolved into a border town with maquiladoras, which has led to an industrial urban pattern. For the artists, the connection to this place is important. “They named the project the Family Album to signal its focus on personal connections to the landscape… to show that our relationship with the Colorado River and the landscape of Mexicali is that of a relative.”
The work incorporates historical source data and art in creative ways to discover the lost elements of the Colorado River area. A video on their You Tube page visually explores the ideas the project is tackling, with English and Spanish subtitles.
The project’s website also outlines many specific projects, installations, and workshops created by the collective and through their curated works. This was a call for entries along with Planta Libre, as noted in the ‘Announcement.”
“We began by launching a call in collaboration with Planta Libre and through a resource provided by FONCA for the reactivation of scenic spaces, seeking to receive memories and memories about landscapes and bodies of water that no longer exist, as well as speculations about alternate futures, pasts or presents. for the rivers, lagoons, canals, lakes that used to run through the city of Mexicali. The categories of the call were photos, anecdotes and fictions about the bodies of water of the Colorado River. We receive fictitious maps, newspaper images, family archives accompanied by anecdotes, among other materials. The call remains open and the search for family archives and oral histories continues.”
Sevilla’s website includes more information on the project and some graphics. She also includes a summary statement:
“Located between geopolitical, epistemological and disciplinary borders, we investigate our relationships with water and territory; launching the Colorado River Family Archive as a technology to generate situated knowledge, collectively confabulating about the interwoven temporalities of our relationships with the more-than-human in the Colorado River Delta.”
The cross-border dynamic is an interesting element of the work, mediating the governmental and political boundaries imposed on the natural systems, and highlighting the power dynamics of water in the US and Mexico. These liminal spaces provide interesting opportunities for exploration, and in the context of the contested borderlands, inevitably weave politics with water and the ecosystems, communities, and people who occupy these spaces.
Additional information and updates on the project are available via their Instagram and Facebook.
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Note: This post was originally posted on Substack on 05/10/24 and added to the Hidden Hydrology website on 04/23/25.