The Atlas for the End of the World is a great model for a compendium of research and mapping on a focused topic, which has relevance to my endeavor here at Hidden Hydrology. While the content, scale and goals are different, the structure of information in the format of the ‘atlas’ and the combination of mapping, data, and critical inquiry through essay all resonate as a great precedent.
The project was conceived by Richard Weller from The University of Pennsylvania (UPenn), with collaborators Claire Hoch and Chieh Huang. A summary of the project, launching in 2017, comes from the site:
“Coming almost 450 years after the world’s first Atlas, this Atlas for the End of the World audits the status of land use and urbanization in the most critically endangered bioregions on Earth. It does so, firstly, by measuring the quantity of protected area across the world’s 36 biodiversity hotspots in comparison to United Nation’s 2020 targets; and secondly, by identifying where future urban growth in these territories is on a collision course with endangered species. By bringing urbanization and conservation together in the same study, the essays, maps, data, and artwork in this Atlas lay essential groundwork for the future planning and design of hotspot cities and regions as interdependent ecological and economic systems.”
Some background on the project is found in both Précis which provides a roadmap to the site, as well as an essay “Atlas for the End?” which alludes to the first modern atlas of Ortelius, the Theatrum Orbis Terrarum (Epitome of the Theater of the World) and the dawn of a new, albeit already populated, world, ready for exploration and exploitation. As mentioned: “In 1570, when Ortelius published his atlas, the European imagination could literally run wild with whatever might be ‘out there’. Now, a mere 450 years later, that vast, mysterious world of diverse peoples and species is completely colonized and irreversibly altered by the material and conceptual forces of modernity. Whereas Ortelius marked out modernity’s territorial beginnings, this atlas—by focusing on the remaining habitat in the world’s 36 biodiversity hotspots —rakes over its remains.”
The extensive essay lays a formidable foundation for the research, touching on the impacts of the past 450 years and the loss of biodiversity through urbanization, and the identification of hotspots, as well as how cities play a huge role. As quoted:
“Although it is not yet well monitored, it is increasingly appreciated that the metabolism of the contemporary city, no matter how divorced it might feel, is interconnected with the sources and sinks of the broader landscape. It follows then that environmental stewardship is as much a matter of urban design as it is landscape ecology. As Herbert Giradet insists, it is in cities “that human destiny will be played out and where the future of the biosphere will be determined. There will be no sustainable world without sustainable cities”.7“
The themes touch on the foundations of the shift towards the Anthropocene, and our changing ideas about nature, stewardship, and it’s relationship to the profession of landscape architecture, touching on McHarg’s environmental ethics of the 1960s and also discussing the work of biologist Daniel Janzen and work on restoration of biodiversity using a metaphor of the garden. “Janzen’s ‘garden’ is not an idyllic scene constructed for contemplation, nor does it trade in images of pristine wilderness. Wildland “gardenification” as he refers to it, is just damn hard work. As Janzen explains, it involves “fencing, planting, fertilizing, tilling and weeding … bioremediation, reforestation, afforestation, fire control, proscribed burning, crowd control, biological control, reintroduction, mitigation and much more.”36 Janzen’s garden is a continual work in progress.”
The ideas continue in discussions on the role of protected and connected ecosystems, and metrics, in this case, using the Convention on Biological Diversity (CBD). From the text: “The overarching framework for the project of protecting and reconstructing a biodiverse global landscape is provided by the United Nations Strategic Plan for Biodiversity 2011-2020. The key mechanisms of this plan are brokered and administered through the Convention on Biological Diversity (CBD), one of the three ‘Rio Conventions’ emerging from the UN Conference on Environment and Development (the ‘Earth Summit’) held in Rio de Janeiro in 1992. The primary objective of the CBD is that “[by] 2050, biodiversity is valued, conserved, restored and wisely used, maintaining ecosystem services, sustaining a healthy planet and delivering benefits essential for all people”. To this end, the focus on hotspots provides a locus for where these values intersect globally, as represented with ideas of protection (and lack there of) and the ability to access massive quantities of data collected through remote sensing and being able to map it using available technologies (while cautioning against the objectivity of mapping as a practice).
A concluding essay “Atlas for the Beginning” talks about the shift to our new reality of the Anthropocene. A globe view shows “What’s left: the world’s protected areas as of 2015” which illustrates a bleak view of the fragility of the worlds ecosystems. The takeaway is a research agenda that includes more data and analysis, as well as developing methods of action, including a “…longer term research agenda is to establish a knowledge sharing network of demonstration design projects across the hotspots which bring landscape architects, environmental planners, conservationists, economists and local communities together to focus on areas of conflict between biodiversity and development. These SEED (systemic, ecological and economic design) projects will show how landscape connectivity can be achieved and how urban growth can be directed in ways that support all forms of life.”
The use of data visualizations, or datascapes, allows for unique comprehensibility of issues, as seen above. “The datascapes show that if the global population were to live (in material terms) as contemporary Americans do, there would be a major discrepancy between levels of consumption and what the earth, according to today’s technologies, can reasonably provide.” One such visual on Carbon Forest (below) shows the theoretical sequestration potential and equivalent size of forest to accommodate current populations, or, in actual numbers, “The 216 billion metric tons of CO2 emitted by a hypothetical global population of 10 billion such Americans would require 9.9 trillion trees to sequester its emissions. 2
“The series of world maps are both beautiful and informative, spanning a range of topics both physical and social… a wide array of topics.
Each comes with a short blurb and reference. The map on Ecoregions is described as: “The World Wildlife Federation defines an ecoregion as “relatively large units of land or water containing a distinct assemblage of natural communities sharing a large majority of species, dynamics, and environmental conditions” 1. An ecoregion is a biome broken down even further. There are 867 ecoregions comprising the world’s terrestrial and marine ecology. Nearly half of the world’s terrestrial ecoregions (391) are within the hotspots.”
Another interesting subsection is a feature Flora & Fauna, with “the photography of Singaporean artist Zhao Renhui, Director of the Institute for Critical Zoologists, from his 2013 artwork Guide to the Flora and Fauna of the World 1. The guide presents a catalogue of curious creatures and life-forms that have evolved in often unexpected ways to cope with the stresses and pressures of a changed world.” The species are both amazing and somewhat disturbing, such as the bionic AquaAdvantage salmon (below), “…a genetically modified salmon that can grow to its adult size in 16 to 18 months instead of three years. The AquaAdvantage salmon has been modified by an addition of a growth hormone regulating gene from a Pacific Chinook salmon and a promoter gene from an ocean pout.”
Read more on the project via this post on the ASLA Blog, as well as a relevant article by Weller from the innaugural issue of LA+ Journal, entitled ‘World Park‘
All images and text: © 2017 Richard J. Weller, Claire Hoch, and Chieh Huang, Atlas for the End of the World, http://atlas-for-the-end-of-the-world.com