There is a rich literary history around hidden hydrology, which I was reminded of by the recent publication of the novel โThere Are Rivers in the Skyโ by Elif Shafak. The book has gained attention for its interwoven stories around water, and, notably, specific references to โlost riversโ.

The novel includes three storylines from different eras, with the characters of Arthur from 1840s London, Narin from 2014 in Turkey, and Zaleekah in 2018 in London, each occupying a specific water-based narrative. As summarized in the Penguin Random House blurb:
“โฆย There Are Rivers in the Skyย entwines these outsiders with a single drop of water, a drop which remanifests across the centuries. Both a source of life and harbinger of death, riversโthe Tigris and the Thamesโtranscend history, transcend fate: โWater remembers. It is humans who forget.โ
Iโll try to avoid any spoilers, while I discuss how this relates to hidden hydrology. Itโs an engaging tale, touching on the discovery of the Epic of Gilgamesh, a reference to A.H. Layardโs โNineveh and Its Remainsโ, mudlarking and toshers, some cameos like John Snow and his โGhost Mapโ investigations of water-borne cholera near the Broad Street pump, some interesting ideas of water dowsing, and my new favorite cuneiform symbol for water.

AQUATIC MEMORY
The wildest idea is โaquatic memoryโ, which provides some narrative drive, alluded to in the description above, that a single drop of water connects multiple people through time. The ideas in the book were formulated by Zaleekahโs fictional mentor, who was ultimately disgraced by his pursuit of what others considered unreliable pseudo-science, as noted (187):
“โฆunder certain circumstances, water — the universal solvent — retained evidence, or ‘memory,’ of the solute particles that had dissolved in it, no matter how many times it was diluted or purified. Even if years passed, or centuries, and not a single original molecule remained, each droplet of water maintained a unique structure, distinguishable from the next, marked forever by what it once contained. Water, in other words, remembered.”
The idea seemingly makes for compelling storytelling, however, it seemed a bit underdeveloped in the novel itself in my opinion. It does provide a loose framework for the same water moleculeโs memories (loosely based on the real-life ideas of Jacques Benveniste), but fails to explain what this idea means beyond the 3 main characters and their narratives. Thereโs a โsummaryโ table of the water path through the story at the end, but, to me, it didnโt really mean much and the result is a lot of missed potential.
LOST RIVERS
The lost river content was also somewhat underdeveloped, reading as minimal and tangential anecdotes that seem forced into the story versus being fundamental to any of the plotlines. Zaleekah, the character supposedly studying this phenomenon honestly didnโt do a lot, although she had the most potential to expand the ideas of how lost rivers connect with aquatic memory and even the larger storyline. Her role in the story becomes muddled with a failed marriage, and dysfunctional family dynamics that connect to the greater story in the end but donโt contribute much more.
She makes the bold claim early on, โIโm part of a project โ weโre collaborating with scientists worldwide to help restore lost rivers.โ (151) but never really discusses what they do in a meaningful way, or how it relates to the story. It leads to a forced conversation touching on the River Biรจvre in Paris and giving a cursory โthese are everywhereโ sort of list, and how we buried them.
She later discusses Londonโs lost rivers, which reads like a guidebook entry (or a marginally more interesting recounting of Bartonโs Lost Rivers of London), rather than something enlivening the story. For instance, this passage (183-184):
โThen there is the River Effra in South London, concealed and culverted, nowadays a conduit for drainage and waste matter, silently coursing under not only houses and offices but also cemeteries, whence it sometimes unearths and carries off buried coffins. There is also the Tyburn, a source of delicious fresh salmon in the distant past, though barely remembered these days, as it flows unseen and unheard underneath celebrated urban landmarks. The Walbrook, once a sapphire-blue river running through the Roman fort of Londonium into the Thames, shimmering like the wing of a dragonfly, provided residents with clean water; now it only feeds into a malodorous sewer.โ
Later on, she discovers a note on her desk in her office when searching for something, with the following jotted down: (186)
โHOW TO BURY A RIVER
- Build concrete troughs along both sides of the riverbed.
- Add a roof to the troughs.
- Encase the river completely on three sides, turning it into one long, winding coffin.
- Cover the roof with earth, making sure no trace is visible.
- Build your city over it.
- Forget that it was there.โ
Itโs all sort of random and snippets like this are a throw-away with little context and less relationship to the overall narrative. Thereโs nothing to follow up on why we should care and how lost rivers tie into the bigger story. I will admit that having a specific agenda about how lost rivers and hidden hydrology fit into fictional narrative structures is a little pedantic. So my defense is that, on the whole, I liked the story, while I was also disappointed in how these subjects of water and lost rivers were incorporated.
My disappointment comes from a desire to see more opportunities in embedding the ideas of lost rivers into creative writing, to inform and engage a larger audience about the concepts. I am always excited and a little worried when I hear about examples that promise such. Much of the writing around lost rivers only appeals to a very interested subset of people, so connecting these ideas to mainstream culture, popular media, and entertainment could help spread the word to folks who would not be interested otherwise.
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THE EXPANDED LITERARY FIELD
On that note, the first time I connected with the idea of hidden hydrology in literature was a few years back when I wrote an essay related to a novel by Ben Winters from 2016 โUnderground Airlines.โ The story features Pogueโs Run, a hidden urban stream in Indianapolis, which plays a vital role in the narrative of the novel. Since then, Iโve been collecting previous explorations of literature around hidden hydrology, where subsurface waterways play a significant role in the plot and action of the story.
From a purely hidden hydrology, thereโs a short list of titles, some of which Iโve read and others Iโve found or have been clued into by research or other readers. This resulted in a short loose working bibliography.
- There are Rivers in the Sky (Shafak), 2024
- Rivers of London (Aaronovitch), 2016-2024
- Underground Airlines (Winters), 2016
- The City of Ember (DuPrau), 2013
- Dodger (Pratchett), 2012
- Montmorency (Updale), 2003
- Neverwhere (Gaiman), 1996
- The Doom of the Great City (Delisle Hay), 1880
- Journey to the Center of the Earth (Verne), 1864
- Les Miserables (Hugo), 1862
This investigation intersects with much broader and fascinating areas of inquiry like the Underworld, and a literary subgenre known as Subterranean Fiction. Beware of rabbit holes, as these yield wild threads like Hollow Earth theory (which makes for great fiction). Works span centuries and many genres like sci-fi and fantasy, delving into the literal underworld below the surface. However they do not always specifically touch on waterways, so not all are relevant.
HELP EXPAND THE LIST
The list above is modest, so I hope to expand this initial catalog and explore the full spectrum of possible literary hidden hydrology references. Let me know if you have other examples or favorites youโve encountered where the concept and context of buried creeks, sewers, and lost rivers play a part in novels, stories, or other fictional works. I would love to expand my overall library of options, hear your thoughts, and explore more deeply.
Note: This post was originally posted on Substack on 10/15/24 and added to the Hidden Hydrology website on 04/22/25.


































































































