Category: city

São Paulo – Rios (Un/Dis)covered

Jason Kingart, case study, city, creeks, cultural, explorations, film, history, infrastructure, maps, photography, places, rivers, são paulo, soundscape, streams2 Comments on São Paulo – Rios (Un/Dis)covered

A recent article from the Global South Studies Center online publication Voices, as part of the issue on Social Water, discussed a unique project in São Paulo, Rediscovering Rivers in A Brazilian Megacity by Douglas McRae, a PhD Candidate in History at Georgetown University.  The focus of the article was on a project “Rios Des.cobertos” (Rivers Un.covered, or Dis.covered). which is “a collaborative installation between researchers and designers has sought to reignite these questions in the minds of their fellow Paulistanos, imparting a vision of the city’s hydrological reality through an exhibition combining history, geography, ecology, and visual art.”

The work emerged from a collaboration between “…geographer Luiz de Campos and architect José Bueno have coordinated the Iniciativa Rios e Ruas (Rivers and Roads Initiative), raising awareness of the city’s forgotten rivers through educational and community activities.”  The group has been working since 2010 with an aim to “Deepen reflection on the use of public space and bring back to the city the underground and submerged rivers.”   The methods are also outlined below, which includes research, field work, storytelling, and tours, all of which engage in the hidden hydrology of the city.

A map of the over waterways developed by Rios e Ruas shows many of the streams, and as mentioned in an article in the Guardian, “São Paulo has nearly 300 named waterways, says de Campos, and probably closer to 500 in total. A collective map used by Rios e Ruas shows the city looking like a vital organ, encased in a blue web of waterways – a network of mostly buried rivers and streams totalling more than 3,000 km. “There’s plenty of water in São Paulo,” says de Campos. “It’s just very badly managed.”

McRae continues: “In addition to leading walking tours in neighborhoods around the city seeking to uncover its forgotten courses of water, Campos and Bueno also organize educational sessions with students, and in general raise awareness regarding aquatic nature in the city. Another important aspect of their work has involved “reclamation” activities: physically uncovering and rejuvenating submerged headwater springs of forgotten or hidden rivers and streams. “Even the smallest improvement makes a big difference,” Campos told me in an interview, and such improvements can lead to the revival the plant and animal life in neighborhoods otherwise enveloped in concrete and asphalt.”

Some context on the interactivity, via McRae: “In selecting a program on the control panel, visitors trigger an animation of this fluvial drainage in motion, illuminating the component parts that contribute to the Upper Tietê watershed, the region where the Tietê’s headwaters are located. The formerly sinuous curves of the Tietê and Pinheiros in particular vanish with the passage of time. Other rivers are highlighted: for example the Sapateiro River, which flows south of the Espigão into the Pinheiros, feeding the lakes in the city’s sprawling Ibirapuera Park. Another, the Verde River, is artificially split into two different courses, and occasionally causes massive floods in the lower areas of the Vila Madalena neighborhood. One can observe how the city developed at first bounded by these rivers, later growing over them and causing them to fade from both sight and mind. Campos often reminds audiences that Paulistanos are rarely more than 300 meters from the course of a river. “Most Paulistanos have a vision of a city with three or four rivers” Campos explains, when in fact, any stream of water above or below ground can signify a forgotten river.”

I was struck by the use of technology to enliven the story of water, particularly as an installation.  Some more images from Estudio Laborg co-creators of the exhibit “…in partnership with the Rios e Rutas (Rivers and Roads Initiative), the exhibition Rios Des.Cobertos – The Rescue of the Waters of the City is made up of exhibition boards and a model with an interactive map projection that allows the public to discover the rivers and complexity of the relief of the municipality of São Paulo.”

The videos of the display really bring it to life, such as this one Caminho das aquas (Waterway or Water path), is stunning:

The use of a simple topographic relief model is augmented with projected imagery to show additional layers of information like water flows, basins. elevation, and other features.  Seeing it transform seems a powerful way to engage audiences, another here:

MORE FROM SÃO PAULO

A project of a similar nature is documented in this article Project Aims to Uncover Hundreds of Buried Rivers in São Paulo, Brazil which documents Cidada Azul (Blue City) “…implemented in a single week to bring attention to a part of São Paulo, Brazil that has been buried for a long time. In order to bring the smells, sounds, and freshness of the hundreds (yes, really) of rivers that cut through the city”  In addition to audio tours, they

“the blue city that transform our relationship with water in urban environments; for centuries the cities have treated their rivers and lakes as sewage channels and the result is that we can not enjoy their presence or enjoy their water”

The platform provides an awesome map a snap shown here, with their description: “São Paulo is a huge city built over more than 300 rivers. Today they are buried and polluted. Anywhere in the city you are, there is a creek flowing under your feet not further than 200m. Discover!”

There are also interactive audio guides, developed alongside Rios e Ruas, which are described as such. “The best way to discover São Paulo’s rivers is to walk the city. We are developing audio-guides that help you find and follow the river trails. Put on your headphone, choose a river and follow instructions.”  Stops along the way are highlighted by signage and blue paint.

The blue paint also comes up in other ways, with painted manhole covers, and streets to alert passersby of the routing of the hidden streams.  An image via their Facebook page shows one of these installations.

A couple of videos “The Blue City: The Meeting of Three Rivers” and the one below ‘”The Blue City: Green River” shows these endeavors in action.

An article in the Guardian ‘The river hunter of São Paulo – a life devoted to finding its lost waterways” delves into similar territory, following Adriano Sampaio, an “urban explorer who knows all of its hidden rivers and springs”.  Posting on Facebook as Existe aqua em SP, he documents these explorations, augmented by maps.  As mentioned: “He and his friend Ramon Bonzi, an urbanist, use 1930s maps laid over modern-day street maps to track down hidden and forgotten waterways, peering over walls, lifting manhole covers and climbing about in the undergrowth in search of rivers, streams and springs. “We always find something,” says Sampaio.”

Another article from Camila Cavalheiro is The Hidden Rivers of São Paulo, which provides some context for additional activities in the community. A few links are not working, as I’d love to find more about the “Rios (In)visíveis” project, but it seems to be not linked and the map leads to a blank page..  One that’s really interesting is Aqui passa um Rio (Here flows a river) has a more exploratory and performative nature, a project that is a Coletivo Fluvial (Fluvial Collective) which exists “…to generate actions of cartographic-performative character that rub on the surface of the city the awareness of submerged questions, like its waters. We work with multiple languages, actions and investigations in urban space, theoretical research practices, cartography, intervention, stencil, performance, music, space activation and meetings. We call for participation and open dialogue and free expression in the public space.”

Marking the spaces provides a permanence to the locations of the hidden rivers and engages the broader population.

A more studio based but no less beautiful artwork also comes in the form of  RIOS [IN]VISÍVEIS DE SÃO PAULO an installation by Clarissa Morgenroth, Isabel Nassif and Renata Pedrosa as part of a show ‘Connections’.  This interpretation using twine and nails maps the rivers and provides a nice aesthetic for hidden rivers.

A final project mentioned is Entre Rios, a documentary film that “…tells the story of the city of São Paulo from the perspective of its rivers and streams. Until the end of the 19th century, these waterways were the great sources of the city. Today, hidden by the pipes, pass unnoticed by most of Paulista. But in the rainy season, the city stops when floods show the buried face of local nature.”  In Portuguese only, it’s still pretty informative to one who doesn’t know the language.

ENTRE RIOS from Caio Ferraz on Vimeo.

NOTE:  Apologies in advance for any awkward translations, but wanted to distill the gist of info as most of the text is in Portuguese so I’m relying heavily on Google Translate here. (so please correct anything inherently wrong),

HEADER:  Installation from Estudio Laborg – RIOS DES.COBERTOS – EDIÇÃO SESC PINHEIROS – 2017

NYC: Post-Postscript: Maps

Jason Kingart, city, creeks, geology, history, landscape, maps, new york, placesLeave a Comment on NYC: Post-Postscript: Maps

My previous postscript ran somewhat longer than anticipated, due to the massive amount of work happening in and around New York City.  Thus a focus on this post on the cartographic, including some of the great resources available, and the rich history of maps new and old that emerge to tell a visual story of hidden hydrology in the city and larger region.  There are so many, that one who wants to dive in can jump down to the resources section below to see lots of great sites showcasing the maps, my focus here is to highlight a few I thought were interesting and beyond general map nerdiness, some that had a particular relevance to hidden hydrology.

An old version dates back to the early settlement times, from 1639 the Manatvs gelegen op de Noot [sic] Riuier (via Library of Congress) is a fun introduction to the area, north to the right showing the section of Manhattan (Manatvs) and areas surrounding.  Fun to see a map from this far back, and it does represent some of the topography and hydrology in some rudimentary ways.

The 1660 Castello Plan (original and a later reproduction drawn in the early 1900s) offers a glimpse of the tip of Manhattan, or New Amsterdam.

Many maps come via The Iconography of Manhattan Island, via Wikipedia “a six volume study of the history of New York City by Isaac Newton Phelps Stokes, published between 1915 and 1928 by R. H. Dodd in New York. The work comprehensively records and documents key events of the city’s chronology from the 16th to the early 20th centuries. Among other things, it shows the evolution of the Manhattan skyline up to the time of publication”  More: “Stokes’s worldwide research teams scoured public and private collections of maps, guides and obscure source material to complete his encyclopedic monument to New York City. It describes in detail the growth of a fortified Dutch settlement into a major city, and ultimately included six volumes sold to subscribers and libraries in a limited edition of 360 sets printed on Holland-made paper and 42 on Japanese vellum.”

The following plate from this Iconography is from 1693, showing Manhattan and the shift from New Amsterdam to Nouvelle Yorc:

The Bradford Map is another resource, showing “…the city of New York at the time of the granting of the Montgomery charter …” and “from an actual survey” and starting to highlight some hydrological resources like the Collect Pond.  The map is a reproduction from the 1800s, but shows the area in 1730 and is similar to the later Maerschalck map, showing similar area in the 1750s.

A beautiful map is a 1777 version Plan de New-York et des Environs, showing a similar zone with a lot more detail, a precursor of some of the more detailed maps (and sophistication of mapmaking) in the late 18th century.

A larger area comes via 1766-1777 and the Plan of the city of New York in North America – surveyed in the years 1766 & 1767 by Ratzer, showing a larger zone beyond the Hudson and East Rivers.

From the header above we see the influential British Headquarters map that was used heavily in the creation of the Welikia project.  This map shows the larger area of Manhattan in fine detail, with topographic relief – a zoomed in section shows why this was such an important historical document.

Fast forwarding a bit to the early 1820s, the Randel Map was an atlas of.  Via The Greatest Grid website: “Between 1818 and 1820, John Randel, Jr. prepared an atlas of 92 watercolor maps that vividly illustrates the properties, old roads, and major features of pre-grid Manhattan as well as the future location of the new streets and avenues of the 1811 grid.  Drawn at a scale of 100 feet to 1 inch, the Randel Farm Maps provide a detailed picture of Manhattan before its transformation. Hand drawn and colored, they are among the most significant documents in the history of New York as well as a rarity in American urban history, as no comparable maps exist for other early-19th-century American cities”.   There are 92 individual maps, but an online map stitches them together in a beautifully detailed composite here.

The maps got more broad, with titles to fit like “Topographical map of the city and county of New-York, and the adjacent country : with views in the border of the principal buildings, and interesting scenery of the island.” from 1836 showing the entire island of Manhattan with relief,

This was perhaps the precursor to one of the most fantastic maps, that created by Egbert L. Viele, the 1865 gem “Sanitary & Topographical Map of the City and Island of New York.”

The detail is amazing, and it’s available as a high-res download at multiple sources, including Wikipedia which describes it as such: “…survey of the original streams, marshes and coastline of New York City, superimposed over the street grid. The map is still used by modern geotechnical engineers, structural engineers and planners to design the foundations of new buildings and structures in the city.”  A few close ups illustrate this point, and allow for georeferencing to the modern city:

A few other maps that caught my eye, specific to Hidden Hydrology Broadside of the Collect Pond, New York and Steam Boat (Five Points) highlights that the pond was still there in 1846 (or at least as represented here from 1793).

And the birdseye perspectives are another great resource, showing a different viewpoint.  As a tool to communicate place, I’ve always been fascinated by these, such as this 1870 version from Currier & Ives (source unknown as I got this via Twitter) but I believe it’s from Library of Congress.

And some map-objects and infrastructure systems that are fascinating, including this one, a ” Sketch showing the ground under carriageway at intersection of Wall, Broad, and Nassau Streets : as occupied by water, gas, steam, pneumatic, cable and electric pipes, sewers, basins, culverts and vaults to houses, etc., February 1885″  

 

There’s also a wealth of maps covering many Boroughs, but these map be for another time – and the resources below offer lots of chances for locals or the curious to dive in to more depth.

INTERACTIVE MAPS

There’s great interactive maps like  the interactive to quirky side, there’s a fun historical Spyglass Map, showing the New York City of 1836 vs. today,   The Smithsonian, had David Rumsey provide some discussion of this map to go along with an article about it, where: “Rumsey looks to the map’s delicate shading to tell much of its story, noting that the heavily shaded areas represent the most densely populated portions of the city at the time of the ma’s drawing. “Pretty much everything past 14th St. is country,” he explains, adding that much of what is considered Manhattan today wasn’t yet settled. In addition to the population shading, the hills of Manhattan are shown by hachures, an antiquated method of showing relief on drawn maps. “A lot of the history of Manhattan is the destruction of its hills,” Rumsey says. “Basically that topography was obliterated, except for Central Park.”

And a fun but perhaps limited in usefulness ‘Urban Scratchoff’, which does a similar thing with by revealing a 1924 map underlay.  I feel as if I keep scratching but never really win anything.

MAP RESOURCES

A great site focused on Manhattan that filled in much of the above content is the map page of Manhattan Past which is connected to the site and book ‘Street Names Past & Present’ focused on the place name origins of area around the City.  The maps are broken down chronologically back into the 1600s, with links to originals and some brief text, a great primer for delving into the larger pool.

Additionally, The Greatest Grid is a site that emerged from the exhibition The Greatest Grid: The Master Plan of Manhattan 1811-2011, at Museum of the City of New York in 2011 to 2012, which “documents the creation of Manhattan’s signature grid, which set a remarkably flexible framework for growth as a town of 100,000 in 1811 became today’s world city of 1.8 million people (in Manhattan only). Balancing order and freedom, uniformity and individuality, the grid continues to serve as a model of urban planning in the 21st century.”  Some great background on the development of the city and the grid, as well as great maps, are found within.

The resources available are amazing, drawing on local and international institutions – one of the best being the Open Access maps from the New York Public Library, where the The Lionel Pincus & Princess Firyal Map Division has over 20,000 free, high resolution downloads available, many of the maps above coming from this source, and their active Twitter feed @NYPLMaps showcases many more.

Plan of the town of Brooklyn and part of Long Island – 1767 (NYPL)

Another I thought was very comprehensive and well organized was via Stony Brook University called NYS Map Pathfinder.  Larger institutions carry plenty of maps of New York City due to it’s significant, as The Library of Congress has extensive holdings for New York City, and as most map nerds know, the David Rumsey collection is the go to for maps, including lots for New York, with some great tools, as well for viewing and sorting.  Just sifting through you find the historic, but a wealth of interesting map techniques, such as this Map of Greenwich Village made for the Whitney Studio Club from 1920.

And speaking of other non-historic maps, not specific to hidden hydrology, I’d be remiss without mentioning the New York version of Rebecca Solnit’s atlas collection Nonstop Metropolis, A New York City Atlas, authored with Joshua Jelly-Schapiro and true to form with the other regional versions from San Francisco and New Orleans, is part of the compendium of maps as storytelling devices.  Read this great long essay via Public Books entitled Visible Cities by Laura Yoder for where she dives into “maps that catalogue social and cultural complexity, and teach us to engage with difference in productive and generous ways.”  Another good review via Hyperallergic, “Creating an Atlas of Overlooked Cartography for New York City” where they relate that “Every map is an intense act of creative collaboration, with essays and illustrations in Nonstop Metropolis from over 30 artists and writers.”  The image below is indicative of this style, showcasing “Wildlife”

A book that looks interesting by Marguerite Holloway is the author of The Measure of Manhattan: The Tumultuous Career and Surprising Legacy of John Randel, Jr., Cartographer, Surveyor, Inventor, and another on the maps, there’s the 2014 publication Manhattan in Maps 1527-2014 by Paul E. Cohen &‎ Robert T. Augustyn 

For modern mapmakers, there’s a rich collection of resources, including NYCityMap and OASIS both displaying tons of thematic info on current conditions in the city, the latter even providing a historical slider showing the Mannahatta layering.

I could post maps and larger stories of hidden hydrology every day for a year and not run out of interesting tidbits here in the Big Apple, which reflects the richness of historical context and also the passion for many people to investigate their hidden hydrological histories.  And it seems a fitting segue to where we are heading.  Next up, we head over the pond to the undisputed champion of Lost Rivers – London.

Stay tuned.

 

HEADER:  Facsimile of the unpublished 1782 British head quarters coloured manuscript map of New York & environs – via David Rumsey

NYC: Postscript – Tours, Art, History

Jason Kingarchaeology, art, city, climate, creeks, cultural, ecology, explorations, history, infrastructure, literature, new york, photography, places, projects, rivers, streamsLeave a Comment on NYC: Postscript – Tours, Art, History

A follow-up to the previous post allows for a bit more expansion on the fundamental sources for New York City.  This includes the Welikia Project and it’s beginnings as Mannahatta, as well as the comprehensive book by Sergey Kadinsky on the Hidden Waters of New York City.  We delved deep with Steve Duncan’s sewer explorations and blog Watercourses and Undercity,  Together these make up a solid fundamental base of hidden hydrology work in New York City.  This also complements some of the projects I’ve covered, including the project Calling Thunder, which evoked the power of historical ecology via animation, the explorations around hidden infrastructure of photographer Stanley Greenberg, and some of the walks and installations focused on hidden streams with artist Stacey Levy.

That said, there’s still much more, so a postscript is in order to provide a bit of additional context to even claim to be a passable (although not even close to comprehensive) review of some of the city, with a focus on including some tours, art, history, and more.

SOME TOURS

One aspect of any place is explorations, and there is no shortage of tours around hydrology in New York City.  The group NYC H2O is a great resource for this, with a mission “…to inspire and educate New Yorkers of all ages to learn about, enjoy and protect their city’s local water ecology.”  They’ve hosted some great events in the past year alone, including tours with Steve Duncan, Sergey Kadinsky, and artist Stacey Levy as well as many others. City as a Living Laboratory (evolved out of the work of artist Mary Miss) also provides some great events, include walks, such as this one exploring the past and future of Tibbetts Brook with Eric Sanderson and others.

There are some less formal characters as well, like local activist Mitch Waxman, featured here in a NY Times article from June 2012, “Your Guide to a Tour of Decay”.  The article shows how he discovers, teaches and advocates about the hidden history of Newtown Creek in Queens, where, as quoted in the article: ““You have these buried secrets,” he said, explaining the thinking behind the occult conceit. He’s spotted early-19th-century terra-cotta pipes protruding from bulkheads, antique masonry sewers connected to who knows what. He added: “There really is no telling what’s in the ground there.”

And, for a somewhat related example, there’s always the amazing precedent of Safari 7, a self-guided subway based audio tour and map that highlighted “…urban wildlife along New York City’s 7 subway line”.  A map of the guide is found below.

SOME ART

In terms of some hidden hydrology based art installations, there are many that span permanent to ephemeral.  In the site specific realm, is Collect Pond Park, which was located in Manhattan historically as “…a large, sixty-foot deep pool fed by an underground spring” that was filled in the early 1800s.  A post here by Kadinsky & Kevin Walsh on Forgotten New York discusses the project and includes this rendering that highlights the interpretation of previous pond in the design of the new park. This includes a “…footbridge spanning the pond’s waist hearkens to the original pond’s shape, providing a historical link to a pond that has had such a huge role in the city’s history, before and after its burial.”

Another site is a fountain at Albert Capsouto Park, which references some hidden hydrology. From the Parks website:  “The centerpiece of Capsouto Park is a 114-foot long sculptural fountain by SoHo artist Elyn Zimmerman. This fountain bisects the interior space. Water spills from an 8-foot tower into a series of stepped “locks” evoking the canal that once flowed along the Canal Street. A sunning lawn rises up to meet the fountain from the south and granite seat walls adorn the fountain to the north.”

Capsouto Park Water Feature, 2009 – Elyn Zimmerman & Gail Wittwer-Laird

We discussed previously some of the hidden hydrology art of Stacey Levy, which was the tip of the iceberg of vibrant art scene in NYC interpreting hydrology as the medium.  One larger effort worth noting is Works on Water, which is “…an organization and triennial exhibition dedicated to artworks, theatrical performances, conversations, workshops and site-specific experiences that explore diverse artistic investigation of water in the urban environment.”  Their mission statement by the team sums up the potential:

“New York City has 520 miles of coastline. Its waterways are often referred to as “The Sixth Borough”. We are artists and curators dedicated to working with water to bring new awareness to the public of the issues and conditions that impact their environment through art.”

The sum of work there is worthy of it’s own future post.  In the interim, a few of the key contributors to Works on Water have their own complementary endeavors, such as Liquid City, a water based project by artist Eve Mosher, a self proclaimed “…water geek, urban enthusiast and playworker in training”, whom is “…fascinated by our waterways, the space they inhabit the roles they play in our daily life and finding ways to create a greater engagement across disciplines and a greater awareness in the public narrative.”

Liquid City: Currents (Eve Mosher)

Her project aims to be the following  “1. A research database of collected resources and video stories of people working on the urban waterways. An open source compendium for creative inspiration,  2. An interdisciplinary floating think tank/lab working on creative interventions about the urban waterways, and 3. A traveling think tank/lab sharing resources, traveling the Great Loop’s urban waterways.”   A fascinating work on her site is the Waterways System Map below (click the link for the fully interactive version) which involves “mapping the existing system of the waterways” in extraordinary detail.

Below is another of Mosher’s project, from  exhibit: “As part of Works on Water, I collaborated with Clarinda Mac Low to create a large scale floor painting of the NY waterways. Intended to ground people in the specific site of water as material within the exhibition, the waterways acted as a guide into the exhibition space.  Overlaid on the waterways was a video in which I represented the historic waterways and Clarinda imagined the future…”

A different project led by Kira Appelhans, adjunct assistant professor, Integrated Design Curriculum, Parsons The New School and Richard Karty, postdoctoral fellow in Environmental Studies, from 2011 is entitled Waterlogged. The endeavor “…explores the process of mark-making in the landscape from glacial to hydrologic to human.  We will examine the existence of remnant waterways and their relationship to the city’s organizational patterns and forms.   Using printmaking, restoration ecology, public space design we will explore the ecological impact of the intersection of historic waterways and urban infrastructure.”  The diverse artworks are captured in a video as well as a booklet ‘Remnant Waterways‘ (pdf) which showcases the work of students, including prints inspired by buried streams.

Iteration 3 – Eve Neves
Print by Mikaela Kvan

In the realm of photography, the work of Stanley Greenberg and Steve Duncan show two sides of underground New York City, and photographer Nathan Kensinger, who investigates “The Abandoned & Industrial Edges of New York City” shows a third.  He has an ongoing series entitled “New York’s Forgotten Rivers” where he has been documenting “New York City’s last remaining aboveground rivers and streams, in all five boroughs.”  An image below shows one of these photos.

Another recent exhibition “To Quench the Thirst of New Yorkers: The Croton Aqueduct at 175” that just completed it’s run at the Museum of the City of New York, offers a similar theme, with the tag line: “Uncover the hidden history of New York’s original water source, buried beneath the city”, it features “…newly commissioned photographs by Nathan Kensinger, tracing the aqueduct’s route and revisiting sights that Tower had sketched nearly two centuries before.”

Shifting from the visual to the literary, I previous mentioned the great Robert Frost poem covered in Hidden Waters blog, focused on Minetta Creek.  Another literary reference worth a look is this 1998 poem by Jim Lampos “Gowanus Canal” about the partially hidden and very polluted waterway in Brooklyn.  The whole thing is worth a perusal in detail, but I was struck by this passage, which evokes some of the history of place so acutely:

“I’ve come with a notion 
Old Gowanus, to recollect 
the splinters of dreams 
and severed fingers 
you’ve tucked away, 
the stolen pistols 
and sunken treasures 
you’ve saved 
the piss, tears 
dreams and sweat 
you’ve claimed. 
Recollect–shitty Canal 
stinking to the heavens– 
that you were once a river 
and hills rose from both 
your banks.  Brooklyn Heights 
nourished you as it returned 
your borrowed waters sweetened 
with the blood of revolution. 
A city was built 
all around you– 
a city of pizza parlors, churches and 
Whitman.  A city of pigeons, 
ice factories and hit men.”

SOME HISTORY

Tons of possibilities to cover in the history genre, as New York City has a million stories, In picking a few, I decided to focus on the ones that rose to the top due to their sheer uniqueness.  The one that was amazing to read about comes via Geoff Manaugh at BLDGBLOG, referencing a complicated series of posts about Fishing in the Basements of Manhattan that goes back to the NY Times blog ‘The Empire Zone’ and eventually a post link to a comment from 1971 Letter to the Editor, which mentions this potentially tall tale:

“”…We had a lantern to pierce the cellar darkness and fifteen feet below I clearly saw the stream bubbling and pushing about, five feet wide and up-on its either side, dark green mossed rocks. This lively riverlet was revealed to us exactly as it must have appeared to a Manhattan Indian many years ago.  With plum-bob and line, I cast in and found the stream to be over six feet deep. The spray splashed up-wards from time to time and standing on the basement floor, I felt its tingling coolness.  One day I was curious enough to try my hand at fishing. I had an old-fashioned dropline and baited a hook with a piece of sperm-candle. I jiggled the hook for about five minutes and then felt a teasing nibble. Deep in the basement of an ancient tenement on Second Avenue in the heart of midtown New York City, I was fishing.  Feeling a tug, I hauled up in excitement and there was a carp skipping before me, an almost three pounder. I was brave enough to have it pan-broiled and buttered in our upstairs kitchen and shared it with my brother…”

Going way back, a few folks referenced what seems an interesting resource, “Springs and Wells of Manhattan and the Bronx, New York City: At the End of the Nineteenth Century” by James Reuel Smith, in 1938, in which “…he reflects on the rapidly changing city and on the practical and aesthetic pleasures offered by the remaining springs: “In the days, not so very long ago, when nearly all the railroad mileage of the metropolis was to be found on the lower half of the Island, nothing was more cheering to the thirsty city tourist afoot or awheel than to discover a natural spring of clear cold water, and nothing quite so refreshing as a draught of it.” 

A photographer as well (see more in this collection “Photographs of New York City and Beyond” , his images are great documents of these sites which I’d imagine are mostly gone, although recently noted is a new discovery of a well in Brooklyn that dates back to the Revolutionary War era.

James Reuel Smith. Unidentified woman drinking at Carman Spring, on W. 175th Street east of Amsterdam Avenue, New York City. undated [c. 1897-1902]. Glass plate negative. New-York Historical Society.

Some more recent books note I’d love to delve into include the recent “Taming Manhattan: Environmental Battles in the Antebellum City” by Catherine McNeuer (2014), Gotham Unbound: An Ecological History of Greater New York,  (Steinberg 2015) and Water for Gotham: A History. (Koeppel, 2000) all of which paint a portrait of historical ecology that complements the inquiry of hidden hydrology.

Other short reads include Thomas J. Campanella’s essay in Terrain.org, “The Lost Creek”, and a great article connecting west to east worth from Nathan Kensinger, “What Can NYC Learn from San Francisco’s Last Wild Creeks?” where he looks at Islais Creek (and of course includes some amazing photos) as a model for how aboveground creeks can be a model.  He summarizes: “Flowing through an increasingly gentrified city,…this historic stream offers up a refreshingly untamed landscape. Though it travels just five miles from its headwaters in Glen Canyon to its mouth in the San Francisco Bay, and is bisected by a three mile underground segment, Islais Creek provides critical support to two radically different natural environments, both of which are currently undergoing extensive renovations. It also illustrates several approaches to urban planning that are unfamiliar to most New York City waterways.”

Islais Creek – photo by Nathan Kensiger, via Curbed NY

SOME MISCELLANY

With any discussion of hidden hydrology, the concept of daylighting always emerges as certain projects seem to lend themselves to this approach.  A presentation by Steve Duncan is worth a read as it covers this topic in depth, and the project with the most traction is Tibbets Brook, in the Bronx.  Located in Van Cortland Park, the daylighting push garnered a fair amount of press (here, here) and also a petition, with a detailed coverage in Untapped Cities from 2016 which shows an image from a report “Daylight Tibbetts Brook” (PDF file – from Siteation).  A figure from the report shown below identifies a potential route of the daylighted creek.

Before and After views of daylighted creek

Another final item worth discussing, albeit removed from hidden hydrology explcitly, is the image of climate change on the city.  We cover this in the context of modern New York via Kim Stanley Robinson’s New York: 2140, which imagines a flooded, post-catastrophe New York with, a narrative of New York as a “SuperVenice”, rife with political upheaval, class warfare, and and salvage operations referencing historic maps — setting the stage for a new geography that is equally fantastical and plausible.  As mentioned in the New Yorker:

“Another narrator—a nameless urban historian—tells the story of New York from a bohemian point of view. America’s boring losers all moved to Denver, he says, and so the cool kids took over the coasts. “Squatters. The dispossessed. The water rats. Denizens of the deep, citizens of the shallows.” The abandoned city becomes an experimental zone—a place where social innovation (“submarine technoculture,” “art-not-work,” “amphibiguity”) flourishes alongside “free open universities, free trade schools, and free art schools. Not uncommonly all of these experiences were being pursued in the very same building. Lower Manhattan became a veritable hotbed of theory and practice, like it always used to say it was, but this time for real. . . . Possibly New York had never yet been this interesting.”

The connections between this fictionalization and the changing climate that could lead to more frequent flood events, seems a timely connection between history (past) and what it means now and into our our future.  The story told by Robinson may be a bit lacking in places, but the details and context is compelling.

The vision of a flooded city in “New York 2140,” a science-fiction novel by Kim Stanley Robinson, is surprisingly utopian. via New Yorker

As you can see, there are literally hundreds of links for particular creeks, art, history, explorations, tours, and other discussions around New York City.  My original goal was to also include maps in this post, but as you can see it’s already bursting at the seams, so I will conclude New York with one additional post focused on the cartographic as to not overwhelm.

HEADER:  Bronx River, image by Nathan Kensinger as part of his New York’s Forgotten Rivers series.

NYC: Watercourses to Undercity

Jason Kingcity, creeks, explorations, film, history, infrastructure, new york, photography, places, streams6 Comments on NYC: Watercourses to Undercity

As we’ve seen in the Welikia Project and the book Hidden Waters of NYC there’s multiple ways to approach the investigation and documentation of hidden hydrology in the same city.  Next is a hybrid photography, infrastructure history and adventurous drainer in the form of Steve Duncan.  Since the 2010s, he’s been featured often, the theme similar to these stories from NPR “Into The Tunnels: Exploring The Underside Of NYC” as well as the New York Times (here “The Wilderness Below Your Feet” with Norwegian explorer Erling Kagge).

Duncan, here smiling after the third night camping underground, is a graduate of Columbia University and is working on his doctorate in urban history at the University of California. via NPR

His photography is pretty stunning, (links to the original photography site seem down, but you can buy a print here) and more than a few articles feature his explorations and work, including this New York/London feature in the Daily Mail, “A tale of two underground cities: Urban explorer’s stunning photographs of the subways and sewers of New York and London”  Here’s Duncan at work:

His photos are featured as well in National Geographic “11 Rivers Forced Underground” which include New York as well as other cities around the world.  A few of the shots:

Sunswick Creek, New York City (Photo by Duncan)
Tibbets Brook, New York City (Photo by Duncan)
River Sheaf – Sheffield, England – Photo by Duncan)

My favorite below as the idea of canoeing this hidden streams is a bucket list dream for me.  This one is of the Park River in Hartford Connecticut.  From the NatGeo article: “Today, a few intrepid urban explorers paddle canoes down the buried river. John Kulick of Huck Finn Adventures, who has guided float trips through the subterranean section, told the New York Times he has seen eels, carp, and stripers in the dark water. Kulick joked, perhaps at least half seriously, that a burst of water gurgled into the river because “someone flushed a toilet.”

Park River, Hartford Connecticut (Photo by Duncan)

The site Watercourses provides the more academic side of this inquiry, dating back to 2008-2010 with a goal of “Looking for the lost streams, kills, rivers, brooks, ponds, lakes, burns, brakes, and springs of New York City.” As much of it isn’t regularly maintained, it’s still great repository of info, maps, photos, and lots of good links.  Organized into regions and sites, with a sidebar around “Named Streams, Ponds, & Springs” it’s a wealth of info to dig into and some great, NY specific info.  As mentioned in the introduction:

“Almost all of the the streams, ponds, swamps, tidal inlets, flood plains, springs, etc that once dotted the fertile land seem, at first glance, to have disappeared underneath the tide of New York City’s urbanization. This is not completely true. In many cases, the city retains the imprint of these features; in the shape of a road, for example, like Water Street in lower Manhattan, that used to follow the edge of a stream or river; or sometimes just in the name of a neighborhood or street.”

For instance, one of the posts on Minetta Brook yields a snip from the Viele Water Map (more on this in an upcoming post) showing the course:

Plus this great 1901 article from the NY Times on excavating the creek.

Undercity is the other side/site of Duncan with posts ranging from 1999 through a sporadic fits and an end in 2015 with a focus on the “Guerrilla History & Urban Exploration” side of things.  These posts offer a great array of topics, like how 9/11 impacted urban exploration, the lives of the Mole people, and even a blurb in the difficult to reproduce on black pages local NW Design mag Arcade.

Like many websites of a certain vintage, there’s plenty of broken links (unfortunately the Explorations tab being one of them) but still lots of great info – also a gruesome shot of Duncan’s hand and after story when he slipped and sliced it open during one of his explorations.  Sifting through the links, there are some really hidden gems, inlcuding a book link I’d not seen before for New York Underground: Anatomy of a City, and some great posts about England and Rome around March 2009.

My hands down favorite is this link to a Life Magazine story from November 7, 1949 on ‘Underground New York’, which featured some amazing cutaway images like this one on the complexity of subsurface infrastructure:

For some additional reading by Duncan himself, there’s a thoughtful essay on Narrative.ly from 2012 “An underground explorer discovers his city’s lost lifeblood” in which he discusses the importance of the historic streams in New York, their eventual destruction:

“With further development came the burial of Tibbetts Brook, and many of the other streams. In some cases, putting them underground was merely a way to create more buildable land above. In others, the streams that once supplied drinking water or fish were converted into sewers and drains. Today, the lineage of many of the major sewer lines in New York City can be traced back to streams and rivers that flowed unfettered for centuries and even millennia before the city matured around them. Today, their past is all but forgotten.”

He continues the essays through some exploration of Tibbetts Brook, and discussion of the Canal Street sewer, New York City’s first, discussing many of the creeks, through actually following their current form. Many of them as he mentions, are too small to explore underground, being only a few feet wide, but “it is impossible to completely parse out the old “natural” Minetta Brook, or the Tibbetts or the Sawmill, from the urban landscape and sprawl of the modern-day “Big Apple”—but that doesn’t mean they’re gone. Far from it.” 

There’s also a great video by filmmaker Andrew Wonder from 2010 called UNDERCITY which follows Duncan underground.

UNDERCITY from Andrew Wonder on Vimeo.

Some great background on a pioneer in the urDuncan on Twitter @undercitysteve where he’s giving tours around the city.  He’s also on FB, which i am not but probably easy to find via a search. There’s a link on Twitter to another site undercity.org but it wasn’t working for me.

HEADER IMAGE:  “A self-portrait taken by Steve Duncan in New York City’s Croton Aqueduct, 2006” Photo By Steve Duncan, via NPR

NYC: Hidden Waters of New York City

Jason Kingcity, creeks, explorations, history, lakes, new york, places, reviews, streamsLeave a Comment on NYC: Hidden Waters of New York City

Another fine resource that adds to the hidden hydrology knowledge base in New York City is Sergey Kadinsky’s Hidden Waters of New York City, which “serves as a guide to the stream by tracing their development along their courses” (xiii).  The book takes a different yet complementary direction than the Welikia project and other efforts I’ve mentioned and will follow up on.  Publishes in March, 2016, the book summary via Amazon provides some context: “Beneath the asphalt streets of Manhattan, creeks and streams once flowed freely. The remnants of these once-pristine waterways are all over the Big Apple, hidden in plain sight”

Kadinsky’s day job is at the New York City Parks Department, has experience as a tour guide, also teaches and contributes to Forgotten New York, all of which provides a good context for open spaces, as well as a forum for the stories of hidden and forgotten waterways of the area.  As he mentions in the brief introduction:

“The city’s waterways have become a place where the public is reminded of nature’s presence in the city.”  He continues mentioning specifically that inland areas, where “…waterways are not as visible, having been buried beneath the streets and concealed behind building. If one searches carefully, one can hear sounds of hidden streams churning beneath manholes and see traces of them in street names that recall a water past.” (xiii).

Covering Manhattan, The Bronx, Queens, Brooklyn, and Staten Island in different sections, the breadth of the book is it’s major take-home.  Any New Yorker would be doing themselves a favor by picking up a copy and being surprised to find out that you don’t have go far to find an interesting historical place you probably didn’t know about.  The short blurbs about each area come with a variety of factoids, as well as good local destinations and options for travel via bus, subway, and bike.

The content is great, albeit brief as the book covers, as mentioned on the cover, “101 Forgotten Lakes, Ponds, Creeks, and Streams”.  The typical post gives a tour of the place, some history, and delves into some specific topics, for instance the early chapters on the Collect Pond, Harlem Creek, Minetta Brook, and Canal Street (all links to the blog) provide great anecdotes about infrastructure, geology, cultural history, and the forces that led to the eventual burial of these places.  Some are hidden, others are brought back metaphorically or through places names, and many still remain hidden.  Others are more brief, with the history of the place and some brief info suffice.

A review of the book by Eric Sanderson and Christopher Spagnoli via The Nature of Cities from November 2016 entitled  “Where did all the Streams Go?”  offers a bit more context on the book from folks that are admittedly more local in viewpoint.  As mentioned: “Kadinsky’s descriptions of waters invoke the flow of time” and provide the following, which capture the nature of the stories held within the book:

“Perusing Hidden Waters is fun for both the armchair historian and the modern urban eco-adventurer. Without sermonizing, there is a distinct historical rhythm to these accounts. Most begin with a colonial description of a typically beautiful, formerly long-lasting, watery feature of the environment, many of which formed during the last Ice Age—that has been co-opted for industrial purposes. Nineteenth century New Yorkers largely regarded waterways as places to get power, launch vessels, and/or dispose of sewage and garbage. Once these ponds, streams, and other waters were fouled, the city government and private actors, on the hunt for more land to develop, filled and paved them, a process that played itself out in fits and starts from the late 19th century through most of the 20th century. The natural waters we have left now are largely the result of neglect—so little time, so many streams to fill—until the environmental movement of the late 20th century finally created the legal and regulatory tools to stop their destruction.”

Perhaps a case where the blog is better than the book as the “companion blog for the book ‘Hidden Waters of NYC’ provides more room and allows Kadinsky to venture beyond the format the book constrains him to both geographically and visually.  For me the depth of information in the book pales in comparison and seems lacking in what Kadinsky covers in the blog, with more informal stories and visuals.  As a field guide, it seems a bit too text heavy, and lacking in really good contextual maps where one could follow along and tour through the narrative in a way that allows the story to unfold. This may be more a personal preference, however, the the overlay of new/old is fundamental to engaging with this type of historical ecological information, perhaps best addressed by the compelling map visuals of the Welikia Project.  Although it’s available on the blog, it is the one thing sorely missed in the book.

The notable narratives that I’ve read on the blog are many, but include a fascinating account of Robert Frost’s 1923 poem ‘A Brook in the City’ which recounts Minetta Creek,  a post recounting some Map Oddities, some cool examples of interpretive paving on Broad Street, the many posts about Central Park, many more I’ve bookmarked.

He also includes a two part reading list with some great additions to the local and broader context, including connections to Stanley Greenberg and others beyond the realm of water.  In highlighting the book I’m aiming to showcase what i think is a great contribution, namely writing about hidden hydrology, and also to provide some thoughts about what works in curating and narrating these stories of place.  It’s hard to capture in book form, the spirit of what is lost, the history of then, erasure, time and what is still there (a dilemma faced by much of the hidden hydrology literature).  In the end any text that endeavors to do so needs maps,  and lots of them, to support this effort.

Read the blog and follow him on Twitter @SergeyKadinsky and you’ll see more of this great example of a passion for place and hidden hydrology that connects people to their home places, Kadinsky’s book and blog aid in this.  He mentions this connection in the intro, and his work helps make true that “inland waterways today have resumed their role as vital elements of the city’s identity; providers of a sense of place.”

 

Header image: 1994 Greensward Foundation map of Central Park from this post here.

 

NYC: The Welikia Project

Jason Kingarchaeology, case study, city, creeks, cultural, ecology, geology, history, infrastructure, maps, new york, places, precedents, rivers, streams1 Comment on NYC: The Welikia Project

As I mentioned, New York City and the larger metropolitan region is an important case study in hidden hydrology, with a range of interesting activities spanning urban ecology, history, open space, art, subterranean exploration, and much more.  As a city with a long and vibrant history it’s not surprising that the story of water would be equally compelling.  The following few posts will expand on some of the key activities that shape the hidden hydrology of the city.

Times Square then and now: the area featured a red-maple swamp frequented by beavers, wood ducks, and elk. – via the New Yorker

Almost a decade or so ago, I read this story in the New Yorker about Henry Hudson, the year 1609, a map, and an effort by a group of people, including ecologist Eric Sanderson, to research and visualize the historical ecology of New York City. I posted this  and posted it to my blog Landscape+Urbanism.  This was one of the catalysts, and I’ve discussed this project in the past as one the key Origin Stories around my personal interest in Hidden Hydrology.

Mannahatta Map – via NYC 99 ORG

The publication of the ideas with the publication of the Mannahatta book (originally out in 2009 and with new printing in 2013) and this broader work by Eric Sanderson (and his very well loved TED Talk) and crew on visualizing and creating rich data landscapes for Manhattan and the larger region is constantly compelling, and the shift to a broader scope under the name The Welikia Project in 2010 was really exciting to see.

The Welikia Project expands the  provides a rich and well documented study of the historical and ecological study of New York City dating back over 400 years and inclusive of a range of interpretation from art, ecology, and design.  The overview of Welikia here provides a much longer and more complete synopsis of the project, but I’ll pick some of the interesting ideas I think are worth of discussion in information larger ideas about hidden hydrology.

The main page offers a range of options that the project provides.  Per the overview page, “The Welikia Project (2010 – 2013) goes beyond Mannahatta to encompass the entire city, discover its original ecology and compare it what we have today…  The Welikia Project embraces the Bronx, Queens, Brooklyn, Staten Island and the waters in-between, while still serving up all we have learned about Mannahatta.  Welikia provides the basis for all the people of New York to appreciate, conserve and re-invigorate the natural heritage of their city not matter which borough they live in.”

Tools include some downloads include curriculum for teachers to use, and some publications and data also available which would be fun to explore more.  A few notable bits of info worth exploration is this page “How to Build a Forgotten Landscape from the Ground Up”, which is a nice overview of the methodology used by the Welikia team, and provides a nice blueprint for organization of data that is transferable to any locale.

The original historical 1782 British Headquarters map was the genesis of any number of overlays that, once digitized into GIS, provided a historic base to layer additional information from other sources, along with inferences by professional ecologists and other members of the team.  These were also able to be georeferenced, which allows for the overlay of historic to modern geography, which becomes the basis for some of the larger interactive mapping we’ll see a bit later.  A map series from the Welikia site demonstrates the layering and aggregation possible.

1782 British Headquarters Map
Elevation differences from 1609 to today
Digital Elevation Model
Ecological communities

The concept of Muir Webs was also a fascinating part of the original Mannahatta book, so you can learn more about this on the page and via this presentation “On Muir Webs and Mannahatta: Ecological Networks in the Service of New York City’s Historical Ecology”

This Muir Web shows all the habitat relationships for all the species on Mannahatta. Visualization by Chris Harrison of Carnegie-Mellon University. ©WCS

Welikia Map Explorer – Lots of interesting background that I’ve literally barely scratched the surface of.  As I mentioned, the beauty of Mannahatta was the visualization of the historic surface, and through mapping with georeferenced location, provided an easy opportunity to create overlay maps of historic and modern.  The key part of this project is the Welikia Map Explorer, which offers a simple interface that can unlock tons of information.  Starting out, you have a full panned out view of the 1609 map visualization for Manhattan.

By selecting an address or zooming, you can isolate locations or just navigate.  It’s got that same video game quality I mentioned in my recent post about the DC Water Atlas, with some exploratory zooming and flying around the landscape looking at the creeks, wetlands and other area, you half expect to click and launch some next part of a non-linear exploration game.   The detail is amazing, and the juxtaposition between the very urban metropolis of New York City with this lush, pre-development landscape is striking both in plan, as well as some of the 3D renderings above.

You can then select any block and it will pop up a box that allows you to access lots of data underneath on a smaller level.

The interface provides layers of site specific data, and breaks down items like Wildlife, potential presence of Lenape (original native inhabitants, and Landscape Metrics. “Welcome to a wild place: this block in 1609! Through the tabs below, discover the wildlife, Native American use, and landscape factors of this block’s original ecology, as reconstructed by the Mannahatta Project. You can also explore the block today and sponsor the Mannahatta Project into the future.”

The Modern Day tab relates back to OASIS maps of the modern condition, making the connection of specific places easy to discern. “Landscapes never disappear, they just change. Click on the image below to see this block today through the New York City Open Accessible Space Information System (OASIS) and learn about open space and other contemporary environmental resources.”

For the beautiful simplicity of the map, it’s easy to lose sight of the fact that this is dense with real data and models that attempt to provide a real viewpoint to what each parcel was like 400+ years in the past.  We discuss baseline conditions much in design, stormwater, ecology and habitat studies, and this level of evidence-based, site scale data is so important to decisonmaking not just in terms of former waterways, but in restoration and management of spaces.  This is summed up on the site:

“An important part of the Mannahatta Project is not leaving ecology in the past, but to appreciate it in our current times, to see how we can live in ways that are compatible with wildlife and wild places and that will sustain people and planet Earth for the next 400 years.”

Visonmaker.NYC – Of the more recent expansions of this is the creation of Visionmaker NYC, which “allows the public to develop and share climate-resilient and sustainable designs for Manhattan based on rapid model estimates of the water cycle, carbon cycle, biodiversity and population. Users can vary the ecosystems, lifestyles, and climate of the city in an effort to find and publish sustainable and resilient visions of the city of the future.”

Worthy of a full post on it’s own, the idea is to emphasize the link between the Mannahatta era of 1609, the current era four centuries later, around 2009, and a future world into the future another 400 years in 2049.  This gives a great opportunity to create a key linkages between historical work, current scenarios, and future conditions.

As they mention: “A vision is a representation of a part of New York City as you envison it. You select an area and can change the ecosystems – buildings, streets, and natural environments – as well as the climate and the lifestyle choices that people living in that area make.” and you can also view other published visions done by users of all ages.  The interface is similar to Welikia, as it allows an overlay of layers with varying transparency for comparison.

More on this as I dive in a bit, but you can also watch a more recent 2013 TEDxLongIslandCity video shows this tool in more detail:

The mapmaking is of course pretty awesome, and they keep posting new visualizations and updates, such as this 1609 topo map, posted via Twitter via @welikiaproject on the “Preurban (year 1609) topography and elevation of ”

There was also some great local quirky info, such as this map and historic photo showing perhaps the strangest remnant geological remnant in a city I’ve seen.  Via Twitter from December 2016, “29 Dec 2016  “Rocky outcrops in NYC, were mostly concentrated in Manhattan and the Bronx and composed of schist and gneiss.”

You can and should also follow Sanderson via @ewsanderson , continuing his work at the Wildlife Conservation Society and to see him giving talks and tours around the City.  A recent one mentioned that “After seven years of effort, he will share for the first time the digital elevation model of the pre-development topography his team has built, discuss why the climate and geology of the city together make our landscape conducive to streams and springs, give a borough by borough tour of ancient watersheds, and suggest how we can bring living water back to the stony city again.” 

Sounds great, and I wish sometimes to be a bit closer to be able to experience this around these parts.  Continuing to inspire beyond Mannahatta to the broader Welikia Project, Sanderson and all the crew that make it a reality is a great example anywhere in the world of what’s possible in tracing the threads between history and contemporary environmental issues.  If someone today gave me a chunk of money and said do this for Portland or Seattle or both (and honestly folks, we really should) I’d jump on it in a second.

Underground Munich

Jason Kingcity, cultural, history, infrastructure, maps, munich, places, rivers, streams3 Comments on Underground Munich

I stumbled on an interesting short article via Environment & Society via Twitter (@env_and_society) on some of the subterranean history of Munich, Germany.  The post “Munich from Below: What Happens Underground?” was developed by Lisa Bauer and Sonja Meinelt as part of the virtual exhibition “Ecopolis München: Environmental Histories of a City“.  The authors paint a common story of growing cities developing new infrastructure to meet demands and deal with growth, but also delve into some interesting concepts as well, ranging from ice, beer, agriculture, mushrooms, and a dead queen.

These stairs are the entrance to Munich’s underworld. They lead down to the masonry canal that was built in 1912. Photo by Lisa Bauer

The development and growth around the Isar River set the stage for disease.  “The city’s inhabitants dumped their garbage on their doorsteps or into the Isar. Only a few meters away, they extracted fresh water from wells. Germs and diseases spread ruthlessly, and epidemics of diseases like cholera and typhus killed thousands.”   The caption to the map below reads: “This map shows the course of Munich’s streams that are west of the Isar. The different colors represent whether a stream is on the surface or underground. The ones mapped in dark blue are below ground. The ones in light blue are above ground. And the ones mapped in purple are abandoned streams.”

As you see, the majority of streams are now underground. While the infrastructure improvements that utilized the underground systems were driven by water pollution, there are some interesting alternative uses for the subterranean landscape of the city, mentioned in the article.  Ice was critical for storage, and “In mild winters, ice for cooling beer cellars was even harvested from the Birnhorn glacier.  

Photo: Deutsches Museum

The ice was a vital ingredient in storage of beer, which along with clean water was critical to taste.  “The cooler the temperature at which the beer was stored, the longer its shelf life. The breweries built deep cellars at the gates of the city, in the sand and gravel pits on the slopes of the Isar. Cooling methods improved steadily. As of 1830, in addition to implementing ventilation systems, breweries also began to use natural ice in their storage cellars. The quality, reputation, and economic success of Munich beer became better and better.”

Photo: Deutsches Museum

With beer cellars, comes a perfect spot for a cool place to drink beer as well, such as the Augustiner beer cellar seen below:

Photo: Augustiner Keller

Few cellars remain, as mentioned:  “The majority of Munich’s beer cellars no longer exist today. After serving as bomb shelters in the Second World War, many were destroyed, demolished, or built over. The beer cellars have since been largely forgotten. Only here and there are they still around, hidden, mostly inaccessible—deep below the cellars of buildings.”

There were some interesting uses in that interim period, especially in the war, where “mushrooms were grown underground in an old rail tunnel beneath Goetheplatz. Today the U3/6 line runs through the “mushroom tunnel,” which was built as a section of Munich’s first subway line.”  The below image is from World War II, where “…the subway shaft served as an air-raid shelter, and afterwards as a place for cultivating luxury food: button mushrooms. However, invasive ground water ended mushroom cultivation.”

Photo: Stadtarchiv München

The underground also was developed to manage runoff, as previous mentioned. “To ensure that wastewater does not flow into the Isar, enormous subterranean basins store excess water.”  The image in the header, shows one of these, and below shows “The largest rainwater-retention basin in Europe (90,000 meters) is located below Hirschgarten…”

Photo: Lisa Bauer

Beyond the underground storage tanks, the aforementioned sewers were build come with an interesting tale.  The impetus for the sewerage is a common theme, to combat waterborne disease. This case was a bit different, as discussed in “The Queen’s Death Ensures Clean Water“:

“Max von Pettenkofer brought about a change in Munich’s cleanliness. The doctor found that the recurring cholera outbreaks could be traced back to unhygienic conditions. In order to counteract the causes of the epidemics, he encouraged the idea of a modern sewage system with a waste transport system and the introduction of flush toilets. He also pushed for a supply of drinking water from the Mangfall valley in the Alpine Foreland. He initially encountered strong resistance. The government took action only after the death of Queen Therese of Bavaria. In 1854 she became a victim, along with another 2,935 Munich residents, of a cholera outbreak.”

Photo: Lisa Bauer

Thus Munich built the modern system, per the map above.  The image above shows this “…masonry canal was built in 1912. Even today it drains wastewater from surrounding houses.”

The hidden hydrology of any city starts to become similar when you start looking at how cities have developed, development pressures, and the inevitable ‘modernization’ by burying of surface waters into underground systems. The thread that exists in modern urban areas around the globe, concurrent with the Industrial Era in the 1850s to 1900s, is telling as within a short timeframe of a century, most world cities will have undergone a massive reconfiguration from surface to subsurface water.  Not to say Munich is special in this case, just brings up the point that all stories lead to a similar conclusion. Worthy of some comparative exploration.

From this inquiry also emerges some interesting stories of how subterranean spaces have been used, re-purposed, and are woven in the histories of places and their people.

Citation:  Bauer, Lisa, and Sonja Meinelt. “Munich from Below.” In “Ecopolis München,” edited by L. Sasha Gora. Environment & Society Portal, Virtual Exhibitions 2017, no. 2. Rachel Carson Center for Environment and Society. http://www.environmentandsociety.org/node/8052.

 

Glimpse of Early Seattle

Jason Kingcity, cultural, history, maps, places, precedents, seattle2 Comments on Glimpse of Early Seattle

[1917]
It was great see, via Twitter, local resource @HistoryLink post “100 years ago today, Thomas Phelps’s 1856 map of Seattle was published in the Town Crier”.  I saw the post today, so I’m a day late, but the Phelps map is one of those fascinating documents that highlights the historical origins of Seattle and intrigues because it so far removed from want exists today.  The article about the map, website, penned by David B. Williams, mentions the map’s original publication on December 15, 1917 as part of the article in the Town Crier  (map shown to the left). The article was about  “Seattle’s First Taste of Warfare”, found via the Seattle Public Library which outlines an early battle between new settlers and the original residents of Seattle.  The full page shows the map in the center (quality of the online version is a bit fuzzy as well – click to enlarge)

The history is summed as such by Williams via HistoryLink.org:

“Phelps’s map depicts what has become known as the Battle of Seattle, when Native Americans battled settlers and the Decatur’s crew on January 26, 1856. The death toll for the skirmish, which ended at 10 p.m., was two settlers and an unknown number of Indians. The map provides what appears to be an accurate depiction of the city on that day, although there is one notable mistake. The settlement’s northern blockhouse, or fort, is in the wrong location; it should be two blocks south, at what is now Cherry Street. (Phelps also shows a southern blockhouse, which was not built until two weeks or so after the battle.) The only other map to depict Seattle around the time of the battle is a U.S. Coast Survey map of “Duwamish Bay, W.T.” Published in 1854, it shows a roughly similar landscape and distribution of buildings.”

[1908]
A known reprint appeared inr Arthur Denny’s book “Pioneer Days on the Puget Sound”, originally published in a 1888, this map appearing in a reprint from 1908 (but also great is to see the book available as a Third Place Books Rediscovery Edition here).  A small version of the map of it from HistoryLink.org (see below for a larger, adapted similar version), with caption from Williams: “1856 map of Seattle by Thomas Phelps of USS Decatur, as published in Arthur Denny’s Pioneer Days on Puget Sound with later street grid superimposed, 1908”

Many historical maps just exist as a singular object to depict a place in a point in time.  Phelps’ map seems to exist along a continuum from it’s original sketch of which there is no record, to various prints, updates, hybrids, and transformations over the span of decades, all of which are adaptations of events that had happened some half-century or more in the past. As Williams mentioned separately in a blog post, on his GeologyWriter site about the map:  “Many, many editions of the map have been produced.”  

The other version that has a fixed date, and mostly commonly used as I’ve seen it, is that redrawn version by Clarence Bagley from 1930, recreating the “1856 map of Seattle by Thomas Phelps of USS Decatur, enlarged and revised.”  The 1930 version shows the “Officers of the Sloop of War Decatur”, and a more extensive street grid, and is signed by Bagley.  (This image is from Pinterest here as finding a good digital original with source is tough)  There’s also a sepia version around cropped with tape marks and a big seattlepi.com watermark, but the same map.

[1930]
As Williams outlines the unknowns and uncertain history of the map deftly in his article, he mentions “We do not know why Bagley produced this map, who he produced it for, or how he distributed it. Nor is an original of it known to exist. Copies are found in the holdings of Seattle Public Library and University of Washington Special Collections. Nor is it known how Bagley acquired a copy of the Phelps map. Perhaps he could have acquired it from whoever supplied the map to Alice Harriman, who published it in her 1908 reprint of Arthur Denny’s Pioneer Days. Bagley had originally published Pioneer Days, in 1888, but that edition did not include the Phelps map. Harriman did consult with Bagley so he may have had access to an original, though it is unclear why Bagley would wait until 1930 to produce his edition of the map.”

The provenance of others is a question, below is one of those alternative versions that just includes some format changes but unknown date, and stripped of the additional information added in 1930.  This larger version via DorpatSherrardLomont that also points out one flaw in the original, as included the annotation: “Phelps map of Seattle. He by now famously misplaced the blockhouse one block too far north of its real location on a knoll at the waterfront foot of Cherry Street.”

The map shown below is titled ‘Map of the Attack on Seattle’, which alludes the the original story.  In this case it is from Access Genelology site for the Washington Indian Wars, 1855-1856.  It looks like a version of the original that uses the same graphic style, in a sepia tone that cleans up the original map with updated fonts, and the titleblock shifting to the upper right (not sure about date of this one)

An alternate version that David Williams has on his blog, and as he mentions, “This is one of the more unusual. It is owned by the University of Washington Special Collections. I have no idea where it was printed or who the engravers were.” adding, that there were “…several unusual aspects.  1. Addition of “hostile” to Hills & Woods thronged with 2. Addition of “skidroad” to Lake Trail & Skidroad 3. Labels Thomas Phelps as a Lieutenant instead of Commander” ( date unknown)

This expanded version from DorpatSherrodLomond locates the original map within the larger grid of streets and pioneer claims, using the original graphic style as published in Denny’s book.

I’m sure it’s not uncommon, but it’s one of the interesting aspects of the map, as summarized, that it is not just a snapshot  of an event in a place, but that it has yielded lots questions about copyright in later years between those wishing to use the map for publication.  Williams concludes: “For such a famous map, there are many unanswered questions: When exactly did Phelps draw the original? Does an original exist?”

And for me, when looking at a map that provides a foundation for a place, the questions are both fascinating and make one questions the fidelity of memory, production, reproduction and tracings. Whole explicit or accidental it shows the agendas (and talents or lack thereof) of the mapmakers.  The story of the Phelps map is a crucial one for Seattle history and hidden hydrology, and it does offer some context for early shoreline and land fill to office later. While we’d like highly accurate and globally positioned map or story, often reality is that we get a different, more subjective and fluid tale. And as it is a touchstone to what ends up being a crazy development of the City of Seattle, perhaps a little mystery isn’t such a bad thing.

Original text quotes from “Thomas Phelps’s 1856 map of Seattle is published in the Town Crier on December 15, 1917″ via HistoryLink.org, by David B. Williams, originally published 3/24/2015.  Maps are credited to other sources because they are so incredibly small on the HistoryLink.org site to even be legible (one of my few pet peeves with an otherwise amazing resource).

David’s site Geology Writer also has more history, and tons of great info on Seattle History, by Paul Dorpat, Jean Sherrard, and Bérangère Lomont on the DorpatSherrardLomont site.

 

 

DC Water Atlas

Jason Kingcase study, city, history, infrastructure, maps, places, rivers, streams, washington dc1 Comment on DC Water Atlas

Last year, I did a review of some of the hidden hydrology of Washington DC showcasing contemporary studies along with a range of historical maps.  Since that post, an amazing mapping project by John Davis (@jnddavis) has launched that’s worth some further examination.

Called the D.C. Water Atlas, the site is hosted by the Dumbarton Oaks, and is summarized as:

“A digital atlas of waterways big and small in Washington, D.C., from the eighteenth century to the present. The online atlas provides a clear sense of the relationship in scale between a city block and the course of an entire river, and facilitates visualizing changes over time in layers or phases.”

A simple blueprint theme provides the foundation for data organized into larger groupings of Aqueduct, Canal, Watefrtont, Watershed, and Sewer. Each of these can be accessed via the navigation or through exploration of the map.  The larger theme maps give a short text description and some dashed boxes highlighting more information such as the aqueduct below (click images to see larger images).

The regional scale makes way for the urban, concentrating on the DC area, in terms of Watefront and Sewer, with a cool rollover method of depicting the growth of the sewer system from the 1870s to 90s.

Or the larger system of water conveyance and reservoirs, including the aqueducts, explained: “The original distribution system, built as part of the construction of the aqueduct itself, served only a relatively small area of the city, as compared to the extent of water service now. Shown as a dashed line on the map, the original water-supply mains prioritized government buildings, such as the Capitol and the White House, and areas of concentrated population, like Georgetown. To ensure adequate pressure throughout the system, and to get water to places that were at higher elevation than downtown, the engineers built a series of “high service” reservoirs in high points around the city. Most have been demolished in modernization efforts. A few fragments of trident-shaped fencing, however, remain in the special collections of the Georgetown Public Library, which was built on the site of one of these domed reservoirs.”

This also expands out into the fringes, to show the reach of water systems in watershed, canal, scales, and aqueducts that connect hinterland with urban center.  The maps below shows the watershed north of the urban area.

Each map contains the ‘Year Depicted’ so there’s continuity of some form of linearity time-wise (most depicting a timeline from the mid-1800’s through early 1900s and later.  There area also some hidden ‘ghosts’ such as a proposed reservoir in the Rock Creek Valley, a dam that could have been as  “…engineers eyed the valley as a convenient site for a water reservoir close to downtown. Luckily for the city’s residents, a group of citizens led by Charles C. Glover urged Congress to purchase the land comprising today’s park, and blocked construction of the dam, which would have inundated a large part of the urban landscape.”

It has the feeling of an exploratory video game, as the opening page was fun to see what emerged, and as you zoomed in on scale, the layers of history was revealed in a nonlinear narrative.  The highlighted sections were cues, but the users

The scale at some times get’s relatively micro, with zoomed area such as the Navy Yard, below, the nested scales working well in revealing significant water system landmarks.

And the Cabin John Bridge, in which “…engineers designed and built a masonry arch bridge to support the aqueduct’s conduit in its course across the valley. This graceful structure, noted for its simplicity of design and elegant form, was the longest single-span masonry arch in North America for nearly one hundred years.”

The extensive bibliography shows a richness of data that can be layered and unified (often a missing piece for critical analysis using sources of different types).  There’s also a complementary essay, in which Davis discusses his take on the digital format in flattening the narrative structure of maps, as well as some methodology, including the pains of digitization and archiving and a switch to open source GIS, and some thoughts on the way we present spatial data.  As Davis mentions, scale is one of the key elements that needs to be considered in representation:

“The Water Atlas, because of extensive processing, does convey a sense of place and space to the structures and landscapes it considers. A combination of cartography and orthographic drawing conventions, the Water Atlas resists the ubiquitous tendency to reduce events, structures, and landscapes to icons. Instead, it portrays these structures as visible at an urban scale, and the drawings reflect the true impact of these structures on the landscape. Though not as fluid and seamless as the Google Maps-powered Panorama, or Leaflet, or Neatline; orthographic, architectural scale drawings convey information at that middle scale necessary for representation and analysis of landscape.”

It’s worth clicking and just exploring and seeing for yourself the layers, often easily discerned and sometimes hidden in the relatively simple interface.  And as Davis mentions, it works at a scale that unlocks stories at a range that seems both comprehensive and accessible.  As mentioned on the Dumbarton Oaks page, the Atlas  “… shows the development of the city’s water infrastructure over time, from large features like canals to the sewer grid and water treatment facilities…” adding “It’s interesting to be able to visualize things that aren’t always apparent when you’re walking around the city,” says John Davis, Tyler fellow in Garden and Landscape Studies. “It’s a totally different conception of how the city works.”

As I compile precedents for my own mapping, this stands out as a really inspiring example of what could be.  The interface isn’t seamless, but in a way that works in a way where you have to dig a little and move around to unearth all of the secrets.  The multi-scalar approach could be adapted to any area and allow for spatial and temporal layering.  I likened it to an exploratory video game, but perhaps it more a metaphor for hidden hydrology, that all is not immediately revealed, and that part of the fun is in the journey.

All images – screen shots taken of the DC Water Atlas.  The footer for the site reads: “This project was completed as part of work for a Tyler Fellowship at Dumbarton Oaks Research Library and Collection, Washington, D.C. Copyright John Davis and the Trustees of Harvard University, 2016. All Rights Reserved.”

Boston’s Made Land

Jason Kingboston, case study, city, geology, history, landfill, landscape, maps, placesLeave a Comment on Boston’s Made Land

The history of hidden hydrology isn’t just that of erasure, but of ‘made land’, significant areas that were added to cities through the process of landfilling. A June, 2017 post from National Geographic’s All Over the Map blog captures this on the east coast, telling the story of “How Boston Made Itself Bigger” illustrated with some fantastic maps.  The focal map shows the extent of landfilling throughout the span from 1630 to present, from the original shape of the downtown area (Shawmut Pennisula), and the modern shoreline in blue.  The massive extent of fill is pretty evident with significant percentage of the metro area on land that at one point in the not-so-distant past was water.

Much of Boston’s coastline is man-made land. The original shoreline, from 1630, is visible in dark green on this map. Land made between 1630 and 1995 is light green. PHOTOGRAPH COURTESY OF THE NORMAN B. LEVENTHAL MAP CENTER, BOSTON PUBLIC LIBRARY; CARTOGRAPHY BY HERB HEIDT AND ELIZA MCCLENNEN, MAPWORKS

A 1630’s map shows the Shawmut, and the narrow spit of land that connected this (for a time at least) to the mainland (rotated north to the right).

PHOTOGRAPH COURTESY OF THE NORMAN B. LEVENTHAL MAP CENTER, BOSTON PUBLIC LIBRARY

The impetus for the post on Boston was driven by lowering of the water table to levels that started to potentially reveal many of the wood piles, which stay preserved in anerobic conditions – as similar situation to a water-based city like Venice, for instance, but once water levels reveal them, makes them highly susceptible to rot.  From All Over the Map:

” A large portion of the city sits on man-made land. Structures built on the landfill are supported by dozens of 30- to 40-foot-long wood pilings, similar to telephone poles, that reach down through the landfill to a harder layer of clay. These pilings sit entirely below the water table, which protects them from microbes that would attack them in dry air, causing rot.”

The filling also was facilitated by damming, such as seen below, where what was the current Back Bay “neighborhood is marked “Receiving Basin” on this map. Boston Common is the uncolored area marked “Common.”  By damming the areas, thus separating them from the larger bodies of water and tidal changes, it was easier to then start to develop and fill in with railroads, industrial lands and more development.  The image shows expansion parcels, notably widening of the neck and further encroachment into the water.

PHOTOGRAPH COURTESY OF THE NORMAN B. LEVENTHAL MAP CENTER, BOSTON PUBLIC LIBRARY

As mentioned, it wasn’t just increased development area that was driving the land filling:  “Over the years there were many other motivations for making new land, including making harbor improvements, burying pollution from wastewater, safeguarding public health, building public parks, adding railroad tracks and depots, adding more shipping facilities to compete with other port cities, establishing appealing neighborhoods to entice Yankees to stay (and to counter Irish immigration), and creating space for the city’s airport.”  Another driver was public health, including filling in ponds and creeks, which were starting to smell.  Concurrent with filling (and a great source of fill) was removal of hillsides, another common city strategy, which provided plenty of earth to create more land while levelling, in this case, Beacon Hill. (via Wikipedia)

Cutting down Beacon Hill in 1811; a view from the north toward the Massachusetts State House

The Back Bay was a source of both significant filling due to its location as a locus of sewage (and a super complicated hydrological regime change that was involved), as mentioned in All Over the Map:  “…an 1849 report from a city committee that reads: “Back Bay at this hour is nothing less than a great cesspool into which is daily deposited all the filth of a large and constantly increasing population … A greenish scum, many yards wide, stretches along the shores of the Western Avenue [Mill Dam], whilst the surface of the water beyond is seen bubbling like a cauldron with the noxious gases that are exploding from the corrupting mass below.”  The area was filled with trash and other debris, as fill material was less available, along with being set on the aforementioned pilings, placing it in the awkward position of being even now “one of the city’s most desirable neighborhoods, but also among the most vulnerable to foundation rot.”

I’d be remiss as well if I didn’t mention, in the context of this, one of my favorite Olmsted projects, the Back Bay Fens, which came at the tail end of the filling, in the 1870s (via Wikipedia):  “Olmsted’s challenge was to restore the spot of marsh which was preserved into an ecologically healthy place that could also be enjoyed as a recreation area. Combining his renowned landscaping talents with state-of-the-art sanitary engineering, he turned a foul-smelling tidal creek and swamp into “scenery of a winding, brackish creek, within wooded banks; gaining interest from the meandering course of the water.”

The extent of land filling is hard to visualize, but the map that shows it most clearly in terms of downtown is a simple overlay of the original Shawmut Pennisula over the new shoreline (you can see the tip of the Back Bay Fens in the lower left hand corner).

Via Written in Stone…

And while not the most up-to-date map in terms of graphic style, a good way to illustrate the evolution of landfilling over time that is hard to capture on maps is this animation via the Boston: History of the Landfills page at Boston College.   Someone has probably updated this, so if you know of it, let me know any updated sources.

A later map in 1867 from the NOAA US Coast Survey below shows further expansions closer to the modern coast.  Although the land and coast changed less in the ensuing century and a half, the continuing legacy of the land filling continues to be costly to maintain, exacerbated especially in times of changing water levels that we are experiencing with global climate change.

The hydrology as well, although hidden, is evident in repairs for pilings and other issues of groundwater – a symptom of building and ‘making land’ on areas formally water. And as concluded in All Over the Map, “…with more than 5,000 acres of man-made land—more than any other American city (except perhaps San Francisco, where the landfill hasn’t been comprehensively totaled)—Bostonians will be living with this problem for the foreseeable future.”

ADDENDA

Plenty of folks have covered this in Boston and the idea of land filling, with a variety of maps and imagery, such a Boston Geology, and some more context on the pilings from the Boston Groundwater Trust.  Also, this great post from the Library of Congress ‘Putting Boston on the Map: Land Reclamation and the Growth of a City’ features a few maps, including one of the earliest maps, which highlights the former tight pennisula.

William Burgis and Thomas Johnston. “To his excellency William Burnet, esqr., this plan of Boston in New England is humbly dedicated by his excellencys most obedient and humble servant Will Burgiss.” 1728. Geography & Map Division, Library of Congress.

And a fabulous birdseye from the late 1800’s showing more significant filling.

Charles R. Parsons and Lyman W. Atwater. “The city of Boston.” 1873. Geography & Map Division, Library of Congress.

See the some of the timeline of history via the USGS series of maps of Boston here, or a more interactive map via MapJunction with an array of base and historical map overlays of Boston, including a cool 4-way slider that allows you to do an overlay left-to-right and control transparency top-to-bottom.  A couple of screen shots of these.

1776 Hybrid Map (Boston and Environs – Pelham)
1917 Hybrid Map (Boston Bromley Atlas)

And an out-of-print book worth tracking down is Nancy S. Seasholes Gaining Ground: A History of Landmaking in Boston (MIT Press, 2003) where the “story of landmaking in Boston is presented geographically; each chapter traces landmaking in a different part of the city from its first permanent settlement to the present.” 

Many cities share this trait, using fill to gain area, which has been both boon and boondoggle.  Locally, a great resource worthy of a deep dive is Too High and Too Steep: Reshaping Seattle’s Topography by David B. Williams (University of Washington press, 2015), which I’ve read and re-read which explores in detail, a similar massive manipulation and use of made land here in my current particular West coast City.

HEADER:  Image via National Geographic, “A map of Boston in 1775 shows the dam that closed off Mill Pond, which was later filled in to make new land. “  PHOTOGRAPH COURTESY OF LIBRARY OF CONGRESS